The film is set in the world of the “arbolitos", those characters that, planted along the Florida pedestrian street, offer tourists in Buenos Aires to buy their dollars at the best price. There takes place the life of a young man who is moved by the ambition to raise the money that allows him to improve his life in the shortest possible time, and that he will not hesitate to take the necessary risks to achieve it.
It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.
Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.
A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.
Synopsis, by Lucía Seles: ““This video is my tribute to the afternoons that I spent myself concentrated and safe without anyone on the hills of the viewpoint and other areas like this and my anguish because the shoe stores are less cold than one would like. and apart from that it's part 02 of early kirk -early church”.
José Celestino Campusano continues his task of exploring territories that haven’t yet been covered much by Argentine cinema, but with which, film after film, he managed to configure his own universe. This time, the prolific filmmaker traveled to the locality of Gálvez, in the province of Santa Fe, in order to collect town life experiences and, with them, shape his new feature. The Naked Queen is the result of this journey.
A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.
A sunny morning in Buenos Aires. All seems quiet, but then an odd race begins: a variety of people are after a backpack. A little army of seekers surprises us at every corner. Suddenly, a lonely bureaucrat (Mapache) is involved in this adventure, and new, mysterious and unknown people start to populate his life, all running around the popular Argentinian city to obtain the backpack which seems to be crucial to his own fate, according to the words of his new accomplice, magician and tarot reader Luminitsia.
The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.
The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.
The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.
