G. Méliès

Mary is from Boston, and she doesn't just take to the cow punchers as she would to the "rah-rah boys" of the Hub. Bill, who is a fellow of no small caliber, is looked upon by his companions as a sort of leader, feels a little miffed, but acknowledges she is the real goods and has some occasion to feel proud of herself; at the same time he won't stand for her snubs. The punchers await developments and make up their mind what can't be cured must be endured. The Captain, a classy chap, from a neighboring ranch, puts in his appearance, and asks Mary to go riding with him.

"A senorita. With whom two young matadors, Jose and Pepe, are in love, tries in keep both on the string. She lends each to believe that he is the chosen one, creating a strong jealousy between them. Pepe calls to see the girl and she receives him with a show of great affection and preferment. While they are courting, a caballero, friendly to the other lover, Jose, tells him of the girl's duplicity. In a rage he goes to his inamorata and, demanding an explanation, accuses her of harboring his rival in the house. She cajoles him, and playfully stealing his dagger from him without his knowing it, endeavors to hold his attention by caresses as Pepe tries to make his escape. Unfortunately he is seen and pursued by the enraged Jose, who, coming up with him as he seeks the protection of a priest busy pruning trees in the grounds of the monastery, engages in a terrible struggle in which the priest Is powerless to interfere." - Moving Picture World synopsis excerpt

Robert Burton was an only son and his indulgent mother had spoiled him. Bob was not all bad, but he was woefully weak and could not stick long at any one task. Also he paid more attention to rolling cigarettes than he did to his work. One day he was discharged by the foreman of the crockery store where he worked and appeared at home disgusted and sullen. His mother tried to comfort him, but the boy was anxious to have his way and announced his intention of going west, where he thought there would be better opportunities for him.

A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.

Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.

Tony Valero, a lusty young vaquero, is enamored of Clarita Montes, whose father is fairly well off, as the middle class Mexicans figure. Clarita prefers Tony to her numerous admirers, but the father has selected, for his future son-in-law, a young dandy called Jose Rodreguis, who has a certain amount of money which allows him more ease than his neighbors. Jose trades upon this fact and presses his attentions upon Clarita. He bitterly resents her preference for Tony and does all in his power to belittle his rival.

Nell, an independent and somewhat obstinate girl, receives an invitation to attend a dance. She asks her mother for money to buy a new dress. Her mother, a hard working woman, who has to toil from morn to night, feels that her request involves an unnecessary extravagance and she denies it. Nell answers her sharply and leaves in a sullen mood. While working in the hot, broiling sun, the mother is overcome with the heat.

In the mountain wilds of Tennessee there is no end to the manufacture of moonshine whiskey. Whole families live on this nefarious trade and many of them die by it. The men who work at this business are constantly hunted by United States revenue officers as violators of the law for manufacturing of liquor without a special license. The "Mountain wife" loves her husband and stands by and shields him from his enemies, the officers; when they are on his track she hides him, then throws them off his trail, giving him time to escape in the mountain fastnesses, as we are shown in this interesting and thrilling picture.

John Burton, a railroad clerk from the east, was spending his vacation hunting in the wild lands about John Walsh's shack. One morning, as he was eagerly following a large hawk, which he had already wounded, he lost his balance on the edge of a cliff and plunged down to the stony ground below. His cries for help attracted Walsh's attention and he was taken to the latter's cabin, where he was tenderly cared for by Walsh and his wife, until he was able to return to his duties in the east. Walsh's wife was the apple of his eye, but, like most things that we love, she did not last, and twenty years later we find him a broken old man, living in the days that are gone.

After graduating from an Indian school where he has acquired an education and schooling in the ways of the white man. Ta-wa-wa, a young Indian, returns to his native territory and far western home. On the way to the tribe's encampment he stops at Vail's ranch, meets Kawista, his boyhood sweetheart, who greets him cordially and with a frank admiration for his gentlemanly appearance. While they are exchanging greetings the postman enters and hands a letter to Mr. Vail from Col. Leigh, an Englishman, stating that he will visit the ranch with Lord Wyndham, an English lord who expresses a desire to see a real Indian powwow.

The cook has been the bane of many a family, but when it comes to stirring up a western ranch and getting the goats of the cowpunchers there is going to be something doing, and the doing of the something is full of interest, to wit: The cook is not satisfactory and the boys strike for a new "chef." They appeal to the boss and he promises them relief, and it is not long in coming from San Antonio in the person of a very swell fussy French guy, whom they look upon as a huge joke.

Mary lived with her mother at the XX ranch, which was on the Rio Grande, just across from Mexico, and, as there was a ford there, it was easy for persons to cross from either side. One day, while riding on the Mexican side, she heard screams of distress and came upon Juanita, a beautiful Mexican girl, who had been insulted by Jose, a bad man of that vicinity, who commanded a band of guerrillas, who plundered and stole under the guise of insurrectos.

Getting his laundry from the Chinaman, "Honest Jim" spruces himself up in preparation to make a call on "Bess," with whom he is in love. Calling at Circle Ranch, her home, he finds Jack Rance making overtures to her father for "Bess' " hand. She greets Jim pleasantly, but she dislikes Jack; there is something about him which is distasteful to her and when her father intercedes for him she leaves the porch and hurries into the house. She does not have to wait very long to see "Jim" and "Jack" in their true colors and make a choice between the two. The clergyman of the ranch settlement and the .surrounding country comes to the post office where a crowd of cowboys are gathered to receive their mail.

When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.

A short silent film produced by Gaston Mèliès in San Antonio.

"I do hate learnin', but oh! you schoolmarm!" is what the boys at the gulch said when Mary came to town; and, from "Big Bill" down to Hop Lee, the Chink, they all took to study, and to courtship. The rivalry is friendly until the new foreman blows in and takes the inside track, then "Big Bill" gets jealous. At the swell (?) reception the foreman cuts Bill out and Bill decides to "lay for him." The foreman soon discharged a greaser who later robs the paymaster and contrives to fix the blame on the foreman.

He's a regular "fan" and studies the baseball news as carefully as some people do their Bibles. He comes to breakfast with his dear little wife and finds his morning paper as usual at his plate. "By Jove!" he shouts, as he glances at the news, "a game this afternoon." Then he begins to wax eloquent about the strikes, flies, home runs and base hits, putting his hand in the hominy, knocking the coffee pot from the table and winding up his exposition by pulling the table-cloth off and everything else with it. He has gone the limit and wifey can humor his craze no longer. She swoops down upon him with an umbrella and gets in some "swats" that nearly knock the cover from his dome. He makes a run for the office with a deep laid plan to go to the ball game by pretending he has a toothache.

The punchers of the XL outfit are wild with joy, 'cause Mary, the idol of the ranch, is comin' home from college. Billy James is Mary's special friend, and goes to bring her from the station, but, suffering snakes! Look what's traveling with her, his nobs, "Sir Percy Granville," who owns the nearby ranch. This gets Bill's goat for a time, but Mary rides and "ropes" with the punchers, and soon shows them she is the same genuine, good-hearted Mary, and doesn't care a whoop for Sir Percy. Sir Percy insists on sticking around, however, and shows his true nature by striking Mary's younger brother, Bobby, when he defends his sister from insult.

A lost silent film depicting the battle of the Alamo. Filmed in San Antonio.

In happy mood, a rollicking, good-natured party of "Jack Tars" on shore leave are out for a good time, and get themselves well under way in song and general good cheer by visiting the only place of merchandise and refreshment which the little seacoast town affords. Under full sail they are steering their way through the streets of the village, running foul of trees and posts, bowing in humble apology for their seeming rudeness and disturbance. They have apparently lost their "sea legs" and are a little bit unsteady in the joints, but merrily they roll along until they come to a swinging bridge crossing the river. Here is where they strike rough weather.