Krátký film Praha – Studio dokumentárních filmů

A 1987 documentary about youth crime and their social probation officer. The story of two young delinquents to whom no one could lend a helping hand. The lack of interest from the neighbourhood eventually forced their 22-year-old probation officer Majka to resign. The film is mainly made up of authentic testimonies of the protagonists.

An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.

A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).

Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.

"A refined film essay about the loneliness, wisdom and humility of old women. The film, most valued by Jan Špáta, was awarded the Grand Prize at the International Short Film Festival in Oberhausen, the Trilobit Award and Special Mention at the IFF in Karlovy Vary."

Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..

A leading director of the Czech film renaissance provides a philosophical meditation on life and death, set amidst complex hospital apparatus and the sadness, hope, or resignation of the patients. Existentialist rather than optimist, the approach is one of humanistic atheism, accepting death as part of life. Interviews with doctors and nurses explore their outlook; all speak of death as a fact, without either sentimentality or religiosity. The studied objectivity of the film only imperfectly hides an intense emotionality.

The age-old story of Don Juan, played by giant puppets.