Ucqar Film

The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.

In rural Azerbaijan, a mother welcomes her adult son, who left home eight years earlier. In the calm rhythm of rural life, reflective silences punctuate their personal, philosophical conversations.

Davud and Sura are under siege. They wait for the Hunter. Hunter is omnipresent.

Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?

Immobile in a home where the sands of time fall to the rhythm of the rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs between them. The son leaves, and winter settles in to the forever-outdated house in which temporalities blurs and past and present beat to the rhythm of the same clock.

A young man wanders through the ruins of what may or may not be his childhood home, where each crumbling doorway opens up onto the past. Memories accost him-memories of his school days, of loved ones long gone, of wonder, callousness, and defeat. The painful invasion gives rise to a series reflections on the limits of cinema and the poverty, and inescapability, of the life of the mind. No matter how much he has tried to change, the young man-who may or may not be the filmmaker himself-always returns to the same places, same questions, same faces, same recollections-the same nails in his brain.

Musa, a law student seeks out Davud, a man imprisoned for kidnapping four women. He soon discovers that all of his victims have no wish to press charges. On the contrary, they have the feeling of a new truth in themselves. Musa's encounter with the purported criminal becomes a journey into someone else's inner world. Are the questions he asks the correct ones? Is the law a genuine form of justice? What is the meaning of humans imposing punishment on others? Is Musa being enlightened by a superior man, or is he being lured into a world of illusion?