Volte Slagen

An experimental documentary film of collective research into creolization, addressing its historical, ontological and cultural forces.

Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.

A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.

The film follows the life of a couple of singers from Münster who became known for covering the most prominent voices of distinct eras of Schlager music. While Markus got recognition through youtube tributes to Udo Jürgens (known for introducing French Chanson in 1970’s Schlager) Steffi often performs the repertoire of Helene Fischer, a contemporary Schlager icon who opened the genre to a Global Pop standard.