They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.
Meet Rubel, fourteen years old boy smuggling rice from India to Bangladesh. He has to cross the river Ganga acting as the international border. The same river eroded his home in mainland.
A summer evening twenty-five years ago: the city is deserted, the final of the FIFA World Cup is underway. A woman, Teresa, comes down to the Tiber and lets herself be carried away by its current. She is swallowed by the river and her daughter Virginia crosses Rome in the dark of the night: she wants to find her and save her. Virginia has to make her way through the depths of the waters, of the history, myths, calamities and gleams of life of a timeless Rome. And so she is able to see again her mother, who emerges from the darkness of the Tiber to fly toward AMOR, “the planet of care” surrounded by water where the streets, squares and fountains remind her of Rome and animals are free to wander around.
Snajka: Diary of Expectations is a participative-observational documentary about the Croatian-Roma couple Tea and Mirsad, their daughter Frida and an attempt of a life together, stretched between family pressure and compromises they are both willing to make.
All the games and behind-the-scenes of Silvio Berlusconi's power, including politics, media and soccer. Citizen Berlusconi is the original version of the documentary written by Andrea Cairola and Susan Gray broadcast on August 21, 2003, during the Wide Angle program of Thirteen/Wnet New York, the major U.S. public TV station Pbs.
Corvaz is a simple and instinctive 30-year-old that works hard in his father’s vineyard and loves going around with his dog Toni. The village life is all centered around the local bar and for the men, the days go by drinking and kidding one another until one night, the statues that decorate the village square get vandalized. The blame goes on Corvaz. While the grudge from the community rises, a punishing expedition eventually forces Corvaz to face the villagers and leave. For the others, there may be no such an alternative. The code of “rispet” that has kept them all together is now broken.
Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.
Torn apart and enraged by ethnic conflict, Mostar is more like two "ghettos" divided by a big boulevard, than the joyful Montmartre of the Balkans that it was before the war.
After years adrift, Diego returns to his hometown in Sicily. His dream of becoming a musician did not come true. He doesn't have a job, he has no plans for the future and has just been given up by his girlfriend. Looking at the rusty skeletons of the ships in the Harbour, he is kidnapped by an hypnotic sound: an ancient musical instrument, the Jew's harp, seems to indicate a way. Thus begins a journey of redemption, from the torrid coasts of Sicily to the frozen plains of Yakutia in Siberia, where the Jew's harp is a spiritual instrument and national symbol.
