“With this film I try to retrace my journey, my story through the ruins, neighbourhoods, and streets of Berlin. I filmed the dialogue that took place between the city and myself, the wanderings in the old neighbourhoods (Moabit, Kreuzberg, Wedding), places where you can still find most of the traces of the past, or rather what’s left of them.” (AL)
The filmmaker goes back to her childhood, to the roots of the tragedy, to her desperate efforts to be accepted by her mother, to her permanent feeling of failure. Du verbe aimer A remarkable autobiographical account, constructed like a very inventively written essay. (Belgian Cinematek)
This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.
A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Starting in Germany before crossing into Austria, Slovakia, Hungary, Bulgaria and Romania, Vers la mer (To the Sea) is a documentary-voyage filmed in black-and-white by Annik Leroy, as she traces the River Danube from its source to the estuary of the Black Sea.
A documentary about Luxembourg's Grand Duchess Charlotte Bridge —AKA the red bridge, notorious for its suicides— in which a couple of families who lived underneath the bridge were followed and interviewed throughout a period of time, telling about their macabre experiences.
