Bunker Theaterzaken

Registration of the first theatre program by the Dutch comedian Lisa Ostermann.

The Oudejaarsconference (New Year's Eve performance) of the year 2023 by the Dutch comedian Micha Wertheim.

Stage registration of the fifth comedy special by the Dutch comedian Micha Wertheim. At the start of the performance, the performance appears to be unfinished: Micha Wertheim is still writing and the comedian has a writer's block.

The Dutch comedian Dolf Jansen looks back on the turbulent year 2021.

Stage registration of the fourth comedy special by Dutch comedian Micha Wertheim. A show about anger, repetition, change, and repetition.

Registration of the third and last instalment of Hans Sibbel's 'Bovengrens'-trilogy, in which the Dutch comedian contemplates the dead end road the world has taken.

In his eighth show the Dutch comedian Hans Sibbel aka Lebbis looks for the interest that people have in their clarity and truth, and then kicks dents in it. Show recorded in the open air in the summer of 2013.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

Registration of the tenth theatre program of the Dutch comedian. After thirty turbulent years of bustle, Lenette leaves home and hearth in the big city to find her peace in a village close to the sea. Back to Nature. But is nature really that promised bringer of peace?

In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.

Television registration of the latest theatre program by the Dutch comedian Micha Wertheim. A performance about what fantasy is capable of.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

The third theatre program by the Dutch comedy duo De Partizanen (Merijn Scholten and Thomas Gast).

The first show by the Dutch comedian Kasper van der Laan.

Stage registration of the sixth comedy special by the Dutch comedian Micha Wertheim. The comedian notices that he has found his own audience through the years. But Wertheim also notices that his audience projects their own biased opinion on the performance, and there's nothing that Wertheim can do to change that opinion.

Registration of the sixth solo theatre program by the Flemish comedian Wim Helsen. An absurdist story.

In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.

Registration of the ninth solo show by the Dutch comedian Hans Sibbel.

Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.