Bujang Lapok 1957
The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.
The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.
Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.
Bidasari film tells the story of a girl who lives shared with a fish that has a pretty face and a stunning stained-glass voice. Bidasari is a hatred by the Queen after she found that Bidasari is the most beautiful woman in the kingdom when she once saw in the magic mirror.
Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.
Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.
Singapore production directed by S. Ramanathan.
In Baghdad lived Ali Baba, the pauper, and his brother, the rich man Kassim Baba. Ali Baba earns his living by collecting firewood, but due to his working nature, he is not able to earn much, so he frequently asks his brother for help with money and food once in a while. His wealthy brother always looks down on him, saying that he lacks ambition to improve his life if he continues doing the same work. One day, while Ali Baba is collecting firewood near a cliff as always, he spots a group of thieves heading toward a nearby cave. The third installment of the 'Bujang Lapok' series based on the 1001 Arabian Nights tale of Ali Baba and the Forty Thieves. This film chronicles the adventures of Ali Baba with generous twists of Malay humor and general hilarity.
Samseng’ is an action-drama about two brothers. Daud, the elder brother, is serving a prison sentence for forgery and the younger Ahmad is a gangster who specialises in extortion and robbery. Daud prevents a jail-break and saves the life of a prison warden for which his sentence is reduced. After leaving prison, Daud notices that gangsterism is rampant in the town and decides to join the police force as a detective.
Movies Lenteng starling is a Malay film published in Malaysia in 1961. The film starling Lenteng published in the form of black and white film without color. It was published by Ho Ah Loke Loke Wan Tho and through reputable publishing Cathay-Keris Film Productions. Movies Starling Lenteng also loaded some Malay songs that are considered classics like starling song Lenteng submitted by Rosiah Chik and song Mak Host. This filim starring together Latifah Omar Latiff Yusof as heroin and directed by Salleh Ghani. Tengku Puteri is a King's daughter that pass away. The queen want her to marry Panglima Rambai but she didn't like him as he is a cruel and mishievous man. At the same time a prince that is a guest to the place also admire her but her heart is for Jalak Lenteng. Who is Jalak Lenteng?
A Singaporean production directed by B.S. Rajhans.
Arjuna is a film which was published in Malaysia in 1954. The film Arjuna published in the form of black and white film without color.
'Hantu Kubor' is the sequel to 'Hantu Jerangkong' (1957), and the story here continues from the earlier film. Following her extermination, Mak Hitam the witch comes back to life as a grave ghost haunting the village cemetery. She threatens to cause chaos if the newly-wed Musa does not comply with her demands. When Tok Penghulu (the village chief) and the villagers find themselves unable to match the supernatural prowess of Mak Hitam, they seek help from Tok Pawang (the shaman) who understands the genesis of Mak Hitam's occult power and knows a way to subdue her.
Modern Membang film is a Malay film which was published in Malaysia in 1964. Modern Film Membang issued in the form of black and white film without color. Modern Membang film directed by director Jamil Sulong in 1964.
Haji Bakhil, a miser, have two servants, Labu - the cook, and Labi - the driver. The two of them have secret admiration for Haji Bakhil's beautiful daughter, Manisah. After a hard day's work, Labu and Labi started talking about their girlfriend not knowing that they both admire the same women. During bedtime, they lamented to each other about their life being poor and wondered what would happen if they were rich and famous. Labu pretended that he was a doctor and Labi a magistrate judge
Fauziah is the daughter of a poor itinerant food vendor whose brother has forsaken them for a life of luxury. On a particularly stormy night, Fauziah’s already frail father is hit by a car during his return home. The driver Yazid is a young kind man who takes to caring after Fauziah and eventually marries her. In Darah Muda, Fauziah is the epitome of a virtuous woman during its time – extremely reserved, pious, a faithful wife and a nurturing mother
A GoGo 67 is an alluring snapshot of the Beatles-influenced “Pop Yeh Yeh” movement that was exploding throughout Malaysia back in the 60s. Fauziah works days as a shop girl while Joe labors at a stable. When night time comes, the two would dedicate their time practicing with their beat band, Dendang PerinduThis is an activity that Fauziah must keep secret from her father (Ahmad Nisfu), a blustering martinet who loudly objects to the youth music of today with all of its “yeah yeah yeah”-ing.
Ten people gather in an old mansion to find out who will inherit the money ($10 million) left by a recently deceased tycoon.
The story tells us about a young prince called Suria Kencana who was cursed and turned into a cobra by his step mother. As a result, he became snake by day and human by night. The magic spell can only be broken by a necklace, Panca Delima, that is worn by a kind hearted girl called Teratai. Teratai has two other evil and greedy sisters. One of them got herself killed when she was too greedy in plucking the gold leaf from the magic tree. The other was envious when Suria Kencana fell for Teratai. She stole the magic necklace and allied herself with Suria's step mother, hoping to get a big reward from her. Did Teratai and Suria managed to break the curse?
Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.
Film Kaseh Sayang is a a Malay film which was published in Malaysia in 1957. The film issued in the form of black and white film without color. After entrusting her baby girl Sukartini to the servant, Kartini leaves Singapore with her husband, Sudanto, to avoid the war. Halimah, the servant takes great care of the child despite her hardship and poverty. After the liberation of Singapore, Kartini returns to take her child back. Halimah is not willing to let go of Sukartini and runs away with her. She is caught eventually and sentenced to a year’s imprisonment. Though Sudanto and his wife win the child over, their hopes are shattered, as the child does not regard them as her parents.