A potentially violent patient in an insane asylum is calmed when he hears a nurse playing the piano. But shortly afterwards he breaks free, eludes his pursuers, and acquires a gun. He soon comes to a house where a young wife is home alone, and there is a tense confrontation.
In this film one is shown the contrast of two fathers. One father refuses to believe his son guiltless, while the other, fully realizing the weakness of his son, struggles to save him from further disgrace. In this attempt he exonerates the innocent youth, but at the same time exposes the guilt of his own son.
A Mack Sennett comedy short starring Dell Henderson & Mabel Normand.
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.
"He was a regular boy and his father a switchman. The boy determined to be like his dad and spent his play hours around the switch-tower. Thus at the crucial moment he was able to save his father's honor as a switchman, when the struggle between love and duty came and later to come to the aid of his parents in the hands of the desperate counterfeiters, eventually causing their capture." —Moving Picture World synopsis.
After the death of his wife the baby was all the sheriff had left, the promise of hope in the future, and the reflection of all that was dear in the past. But a sheriff has no time to tread a cradle rocker, so the baby started off on the long journey to relatives across the desert. Then the sheriff was called away to hunt the "bad men" of the desert, and found there a deserted prairie schooner, the occupants dead and his baby gone.
After the Civil War, an ex-soldier and his family settle in the Dakota Territory. The son quarrels with the father and leaves home. Riding in the hills, he spots a band of Indians attacking a neighboring homestead, and he races back to warn his family as the Indians chase him.
D.W. Griffith short intercuts two different stories before mixing them together at the end. The film focuses on a telephone girl who leaves work for her lunch break at the same time as "The Lady" goes to a jewelry store to pick up some priceless jewels. When the telephone girl returns to work she gets a phone call from the house of "The Lady" as a robber has broken in and is trying to steal the jewels.
A careless nurse girl allowing the child to wander away, made the mother realize the poignancy of the little verse: "If we knew the baby's fingers / Pressed against the window pane / Would be cold and stiff tomorrow, / Never trouble us again, / Would the bright eyes of our darling / catch the frown upon our brow, / Would the prints of rosy fingers, / Vex us then as they do now?" But a higher destiny watched the child and saw it safely home.
An old colonel is proud as a peacock: his son leads a group of volunteers in the American Civil War. Untill one day his son returns home as a deserter.
A thin gent in formal wear, amid a club or party, reads a book about primitive man after he's ignored by a pretty lady. We see the book enacted: Weakhands loses his girlfriend to Bruteforce, but chances upon a design for a weapon to vanquish his rival and win her back. His tribe sees this and sets him up as their leader. With the club, he fends off various creatures (a winged lizard, a snake, a dinosaur) and a rival tribe led by Monkeywalk. The women even manage to repel an attack. But the rival tribe discovers the secret of the club themselves, and capture the women. Weakhands, sitting in despair, chances upon a new weapon: the bow and arrow.
Everything he did seemed to be misconstrued, except by the little lady he loved. The town roisters made fun of her and his love. That made trouble and the chief vigilante believed him the cause of it all. So he was "in wrong" all around. The girl's father also sided with the opinion of the world, and sent both the boy and girl away. Mother was on a visit at the time, and therein the need of such a one at home was proved, for once back she sent the father out to bring them home again. The boy in the gold hills had been misunderstood again. Marauding merchants had left their victim on the mountain pass and the boy, coming on the scene, was again accused, but the lie in the end destroyed itself.
In this picture it is shown how a convict's life still remains under the ban of the law, even after the expiration of his term. With the detective continually on his track, he is able to save both a young woman's honor and her weak brother from the hands of a designing employer.
After his daughter's return the jeweler attempted to break the partnership he had with the crook. His partner, however, won the girl's love, and threatened to expose the father if he attempted to break off the match. By a clever ruse the father set the gangsters against their leader. His plan did not prove altogether successful.
Happy in her devotion to her unfortunate sister and the promise of honest love that had come into her life, the girl was perhaps blind to true values. She became indifferent to her life and its surroundings. Accordingly she accepted the stranger and his doubtful promises. Honest love and duty were forgotten, until, caught near life's uncertain edge, she was called back by her blind sister's peril. Thus was true love separated from blind infatuation and life's lesson learned.
A stage dancer (Sweet) and a serious-type homebody (Walthall) discover, after marriage, that their individual styles don't mesh. The movie includes elaborate dance sequences.
A man leaves his wife and two daughters for work in a carpentry shop. At work, he initially refuses a beer with lunch, then gives in. After work, two friends take a little while to convince him to go for a refreshing malt beverage, then to have another and another....
His mind perverted by the many lies forced upon him, Lang becomes an outcast from the Labor Union. In order to reinstate himself he conceives a plot to do away with the owner of the iron works, an infernal machine stuffed in a turkey's breast. The story tells how the turkey found its way to a table where there was more love than plenty.
An attempt to hide her working-class origins appears to have disastrous consequences for an attractive office worker.
The hero, Howard, has just married his sweetheart Mabel. Howard's ex-flame Cora remains in love with Howard, but she despises Mabel. With the help of her old acquaintance Robert, Cora breaks up Howard and Mabel's marriage. On the verge of wedding Howard herself, Cora is exposed for the viper that she is by the careless Robert.
