The Golem: How He Came Into the World

The Golem: How He Came Into the World 1920

6.90

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

1920

Anna Boleyn

Anna Boleyn 1920

6.90

The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.

1920

Carmen

Carmen 1918

5.43

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.

1918

The Doll

The Doll 1919

7.40

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

1919

The Oyster Princess

The Oyster Princess 1919

6.80

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

1919

The Wildcat

The Wildcat 1921

7.70

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

1921

Where Is My Treasure?

Where Is My Treasure? 1916

6.31

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

1916

I Don't Want to Be a Man

I Don't Want to Be a Man 1918

6.42

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

1918

The Eyes of the Mummy

The Eyes of the Mummy 1918

5.30

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

1918

Madame DuBarry

Madame DuBarry 1919

6.40

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

1919

Sumurun

Sumurun 1920

6.00

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

1920

Die Flamme

Die Flamme 1923

5.80

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

1923

Little Angel

Little Angel 1914

5.90

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

1914

The Merry Jail

The Merry Jail 1917

6.40

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

1917

Meyer from Berlin

Meyer from Berlin 1919

6.00

Sally Meyer, a young Berliner, persuades his Doctor to convince his wife that he is ill, so that he is able to take a holiday in the Austrian Alps in order to pursue women. Meyer dresses up in what he considers Tyrolean attire. However, he mistakenly travels to the Bavarian Alps rather than Austria. Meyer becomes infatuated with Kitty, a young, attractive woman at the hotel where he is staying. His pursuit of her angers many of her other suitors who are also staying at the hotel. In order to impress Kitty, Meyer agrees rather reluctantly to climb Mount Watzmann. While they are approaching the summit, both Meyer's wife and Kitty's fiancee unexepectedly arrive from Berlin.

1919

The Woman at the Crossroads

The Woman at the Crossroads 1919

1

The Woman at the Crossroads (German: Kreuzigt sie!) is a 1919 German silent film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Albert Patry.[1] It is now believed to be a lost film.

1919

Pinkus's Shoe Palace

Pinkus's Shoe Palace 1916

5.70

Sally Pinkus is an German-Jewish boy who takes a job as a shoe store clerk after being expelled from school for goofing around. Soon fired for trying to court the owner's daughter, Pinkus lands another job in a more 'upmarket' shoe salon, only to be fired again, before charming a rich benefactress to fund his ultimate dream: Pinkus' Shoe Palace.

1916

The Pied Piper of Hamelin

The Pied Piper of Hamelin 1918

6.00

A traveler comes into a town overrun with rats and vermin. He promises to free the place of the pests and names his price. When the townspeople refuse to pay him after he has done what he promised, he plays his tune again with consequences. This film survives in incomplete/fragmentary form.

1918