In the outskirts of London, Portuguese couple and parents of three, Bela and Jota, struggle to make ends meet. When a misunderstanding arises at school with their deaf daughter, the British social services grow concerned for the safety of their children. The film portrays the tireless battle of these immigrant parents against the law to keep their family together.
Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.
Jake and Mati are two outsiders in the northerly Portuguese city of Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
Canned Dreams shows the multi-branching network of the modern food industry. The Finnish consumer buys a can in the grocery store, but where from far away do the raw materials and packaging materials for the preserves come from - and through how many hands? The film not only traces the various stages of the production process, but gives a voice to the people who work as part of it.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
Maria spends her days working in her family’s noisy metal factory. While being oppressed by male violence, she is also responsible for caring for her sister-in-law and niece, both existentially depleted. A revolution starts to boil within her.
A worker in a big city who feels uncomfortable around women meets a sex worker, and in an attempt to overcome his hesitations, he discovers his sexuality.
Oscar is a child germinating in its parent’s garden. Its body is developping underground. Nobody knows its biological sex but he wants to be a boy. One day, Oscar gets out of the ground and discovers his female body. After this painful discovery, is his desired identity finally going to be accepted?
Follows Hugo as he takes a gap year and returns to Porto to regain balance with his family, but he attends a concert by Luís Stockman, who plays a theme that Hugo has been writing in his head for years.
A journey through the 80’s music scene in Portugal, gathering archive material shot and edited by Pêra, showing the filming process of music videos, concerts, band rehearsals and the last concert presented at the Rock Rendez Vous. Echoing the revolution, art is, at last, in its free form.
The art of memory is a classic technique that associates images with places through a process of remembrance and meaning. From the memory of places and their context, the documentary delves into the creative process of three contemporary visual artists: Daniel Blaufuks, Pedro Bastos and José Rufino. Despite the different expression approaches of each author, we find points of communication in the way memory operates in their works. By rummaging through the hazards and disorder, we arrive at the director's personal mythology, assuming that memory is a fiction like any film.
A couple retreat to an Atlantic island to rebuild their relationship, strained by changes through the years. In this strange landscape a lighthouse seems to exert power, and a strange woman appears on the beach after almost drowning.
Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.
It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.
1960 is a home movie recorded as a super 8mm logbook. Based upon Diário de Bordo by Fernando Távora, its goal is to revisit the journey the architect made in 1960.
After the crisis came tourism and Lisbon's transformation. Alis Ubbo (Phoenician for safe port) follows the change in the urban landscape of the city in the last 2 years.
New film directed by Edgar Pêra.
