Eesti Telefilm

Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.

A dance film-fantasy, a tour of old and new Tallinn from its own unique angle - from the rooftops. First colour film of Eesti Telefilm.

On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.

Karlsson is a very short, portly and overconfident man who lives in a small house hidden behind a chimney on the roof of a very ordinary apartment building on a very ordinary street in Stockholm. When Karlsson pushes a button on his stomach, it starts a clever little motor with a propeller on his back, allowing him to fly. Karlsson is the best at everything, at least by his own account. In actual fact there is one thing at which he excels: being a playmate to a young boy named Svante, nicknamed Lillebror (little brother), who lives in the apartment building with his family. Karlsson is quite mischievous, often getting Lillebror in trouble, but everyone in the end – even Lillebror's family, his cranky uncle, and their dour housekeeper – grow to like Karlsson and appreciate his sense of humour, energy, and good nature.

A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape. The film is absolute cult in Estonia.

Boris Lehtlaan performs popular tunes of the time at an open-air concert.

In September 1944, Estonia is on the brink of being released from under the occupation of Nazi Germany only to be seized by the Soviet army. This film follows the destinies of two women - Maarja and Leeda - and two men - Gert and Mati - under the harrowing influence of war and foreign occupation.

The small town of Iisaku in the middle of the large forests behind Alutaguse has long been known for its lively spirit and cultural-minded sense of life. The people of Iisaku talk about its past and present.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

On October 17, 1993, local government elections were held in Estonia. The film takes the viewer to Antsla, a small town in Võrumaa, where more than a third of the population is retired. All this is a mirror of Estonian life, from which tensions, pains and worries, few joys and high expectations face society. The old laws are no longer valid and the new ones are not yet rooted.

Jaan Tooming's adaptation of the novel by A.H. Tammsaare.

A film about the joys, affection and rivalry in a childrens' singing camp.

Based on the tales of Chinese writer Pu Songling, the film depicts the romantic relationships of a Chinese student with an undead girl and a fox spirit maiden. Rainer Sarnet's diploma film.

One summer, the life cycle of one great crested grebe couple. Screenwriter, director and cinematographer Rein Maran.

A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on. Based on Mati Unt's novel "Debt".

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.

Eduard Bornhöhe „Kuulsuse narrid" is a fun story about two unsuccessful, yet aspiring fools. Jaan is an incompetent and uneducated inventor, Saalomon is a talent less poet.

In a late 19th-century Estonian village, farmer Jaan struggles. He works for Andres but can't provide enough. Jaan falls for Andres' daughter, Anni, who helps. Desperate, Jaan turns to theft, gets caught, and is sent to Siberia with Anni.