In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
| Title | Gossette |
|---|---|
| Year | 1923 |
| Genre | Comedy, Drama |
| Country | France |
| Studio | Société des Cinéromans, Films de France |
| Cast | Régine Bouet, Maurice Schutz, Jean-David Évremond, Monique Chrysès, Jean d'Yd, Madeleine Guitty |
| Crew | Henri Stuckert (Director of Photography), Albert Cohendy (Director of Photography), Jean Perrier (Set Decoration), Louis Nalpas (Art Direction), Germaine Dulac (Director), Georges Quénu (Set Decoration) |
| Keyword | based on novel or book, woman director |
| Release | Dec 21, 1923 |
| Runtime | 233 minutes |
| Quality | HD |
| IMDb | 5.00 / 10 by 1 users |
| Popularity | 6 |
| Budget | 0 |
| Revenue | 0 |
| Language | Français |
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