Tasse Film

Juha has lost his wife in an accident. Years after, he still feels numb and unable to connect with people. Meeting Mona, a dominatrix, changes everything.

A young novice sneaks out of her convent to deal with a matter that cannot be delayed.

After a gifted musician inherits a mansion after her long lost father dies under mysterious circumstances, she discovers his last musical masterpiece riddled with cryptic symbols that unravels an evil secret, triggering dark forces that reach beyond her imagination.

Oleg, a young Latvian butcher, arrives in Brussels in the hope of getting a better salary in a meat factory. His experience turns short after being betrayed by a colleague. Alone in a country where he doesn’t belong, he quickly falls under the yoke of Andrzej, a Polish criminal.

An unsolved case. An unknown criminal. An obsessed cop. His investigation plunges him into a world of darkness and violence, pulling everyone around him into a web of destructive passion and revenge.

In 2064, the world is on the verge of destruction. The UN has developed a form of time travel: a person’s memories and personality can be transmitted to the past, to who they were at the moment of conception. Henrik, brilliant but narcissistic physicist is chosen for a mission so he can publish his blueprint of a fusion reactor that can prevent climate change from ever happening. But something goes wrong, and Henrik is born in the wrong body and has to learn humility while living his new life as a boy he used to torment as a child.

Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.

While working abroad, young au pair Mia unwittingly surrenders her reason, her heart and her dreams to a radical family community.

Summer, 1989. City girls, Paula and Laura, spend their summer holidays in a small town with their cousins, Maija and Linda. Four girls, left unattended, enjoy freedom, imitate the life of adults, plunge into reckless adventures and get into trouble. Based on true events, nine-year-old Paula’s story of growing up is set against the background of time when Latvia made her first steps towards independence.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

Julius, who devours comic books and vampire stories, has a lively imagination. Julius meets Arnold Cautious, who lives in an abandoned house on the outskirts of town and introduces himself as a degenerated, strawberry juice-drinking vampire. Julius and Cautious become friends. Together they try to make the Lucky Stone, the recipe for which is in Cautious' grandmother's secret recipe book. Julius wants to give the stone to his estranged parents so they can rediscover their common happiness. Julius and Arnold's laboratory attempts to make the Lucky Stone falter badly time and time again, but they stubbornly pursue their quest for happiness.

The Humorist is a film about a week in the life of Boris Arkadiev, a fictional Soviet stand-up comedian. Boris is tormented not only by external oppression and censorship but also by his own insecurities that poison all his relationships.

A sprint on premiere day. “Look! This is all yours. It’s all yours. Just run. Hold out your hand, Miru. Take it! Run faster!” a voice in her head whispers to start the day. The assistant director’s day is destined to unfold in a series of unfortunate and unlucky episodes: buying metal hair curlers, taking her three-year-old daughter to her grandmother’s, taking an actress who is having panic attacks to an interview. And then Kaspics, one of the main actors in the performance, disappears. Miru has nothing left — a day to live, a premiere to save.

After losing his leg, ex-cop Didzis focuses on training his three beloved police dogs. His estranged wife Jana, a doctor at the local sports school, seeks romantic fulfilment with Roberts, a 17-year-old student and a promising swimmer. After a secret randez-vous, Jana hits a rabid wild boar with her car and eventually spreads the virus to Didzis’ dogs. The accident ignites dark suspicion and jealousy in Didzis. Busy with finding and punishing Jana’s secret lover, Didzis overlooks the ever-growing strangeness and aggression in his now infected dogs. Just as the love triangle becomes toxic, the dogs escape and threaten the local town. Facing both personal and professional fiasco, Didzis decides to take matter in his own hands.

Agate – the older and well-off partner of Matiss and the mother of ten-year-old Paula dies unexpectedly. It becomes a devastating blow for Paula and a grand possibility for Matiss, a charming novice bailiff assistant and a cheating boyfriend, to “upgrade” his social status with Agates splendid house. Matiss and Paula are stuck together in order to find the only relative left – the missing brother of Agate. This journey leaves irreversible footprints on both of them.

Alicija (33), a Polish-born liberal free-thinker, joins the Awakening movement in occupied Latvia. Her newlywed husband Ilgvars (53), a man with the experience of another generation, calls her to be more careful and cautious. With the support of a close friend, the poet Normunds (40), Alicija soon comes to the forefront of the Singing Revolution. However, alongside the first success, difficulties appear – Alicija receives an anonymous letter accusing Ilgvars of being a former KGB informant. His ambiguous answer leads to her wanting to find out the truth. Realizing that her husband’s actions in the KGB have affected the fate of her close friend, Alicija faces an unenviable choice. Torn by internal contradictions, she continues her work to restore the country’s independence, unable to find courage to resolve the situation. Alicija buries herself in her work and the emotional connection with her husband gradually fades away.

The old gardener works all day in harmony with nature’s rhythms and the wisdom of the ancient Latvians. His happiness and fulfillment is a garden that no longer belongs to him, but he feels like it does due to his large contribution to it. He speaks to the garden, and it responds, giving him shelter and a rich harvest. Autumn arrives and there is much work, more than the gardener can handle. The young homeowners, desiring to make the gardener’s life easier, hire a new gardener. The old gardener’s love of the garden and his unwillingness to share it with anyone else leads him to make an inevitable decision to stay in the garden of his family forever. This is a poetically symbolic story about disappearing time, the land and modern reality.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

The mundane life of Rita, a nurse and a single mum, changes when she sets eyes on a young photographer named Ernest. Meanwhile, an unexpected encounter with her ex-husband and the father of her child brings back hopes and desires of the past that challenge Rita’s true feelings.

Feith and Dallas, a married couple, are struck with news on their son’s sudden death. They are going to the morgue to recognise his remains. Meanwhile on the same road 17 years ago they find out that they might become parents. In a lonely gas tank they stop to meet themselves from 17 years ago and have no choice, they must confront their past and future.