Marx Film

Artem loves Yulia, Yulia loves Artem. They recently graduated from school, moved to Moscow and began an independent life. In search of part-time jobs, Artem comes up with the idea of creating another image from Yulia - Eva Elfie - and making an amateur video for Pornhub. Suddenly, the video becomes popular, Eva gets more and more job offers, and Artem becomes the boyfriend and producer of a world celebrity. The heroes seem to fall into the "American dream", but in their personal lives there are more and more problems and doubts.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.

The Zharkov family-father, mother and two young sons-belong to the Dolgan community, one of the last indigenous peoples pursuing their traditional nomadic life in the extreme north of Siberia. The children used to be sent to boarding school, where they became estranged from their family and culture, but nowadays they can get homeschooling from teachers assigned to them by the Russian authorities. Seven-year-old Zakhar and his older brother Prokopy are the protagonists in this calm, observational film. Zakhar's first year of schooling is with Nelly, a young but serious teacher. She tells him about President Putin and the importance of mathematics, and he learns classical poems by heart.

Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.

Recent historical events in Ukraine - through the eyes of ordinary Ukrainians and Russians. Simple heroes - against the background of dramatic collisions. The second part of the documentary dilogy.

An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.

Maidan Nezalezhnosti, or Independence Square, is the central square of Kiev, which gave its name to the large-scale anti-government movement that unfolded in Ukraine in the winter of 2013-2014. A movement that led to the overthrow of the existing regime. However, the happiness of the newfound freedom was overshadowed by the ensuing Russian annexation of Crimea and bloodshed in Eastern Ukraine, inflamed, controlled from Russia. This film is a kind of selection of people's documentary news made on the Maidan in Kiev, in the Crimea and Moscow. The authors shoot their "news" without looking back at ideology, censorship and the logic of war.

For the last 22 years, Viktor Stepanov has lived deep in the forest, five kilometres from the nearest village. His home is a canopy of dense fabric in several layers, an iron stove and an earthen floor. Thoughts about nature and man’s place in the biosphere have accompanied Viktor all his life. He says that after nine months living in the forest you are left “naked”: one-on-one with yourself. At times there is nowhere to hide from melancholy, but the hermit draws strength from his unbreakable bond with the natural environment.

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

Each nameless person has to get their name. There’s no place where you can get such an acute feeling of the world and life as in a small neglected town on the edge of the earth. We collect intimate and genuine stories of the nameless people living between the wild northern taiga and an old Gulag prison, which still casts its grim shade on their joys and griefs.