Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.
In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side and then the other.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Péter and Pál, two notorious skirt hunters competing in wooing Oana, a pretty Romanian girl on the beach at Tihany. A couple of days later the girl gets a telegram saying that she has to leave for Bucharest immediately. The party - which has increased with Piri, the interpreter, and Ági, the hitch-hiker - gets to a Romanian village by Peter's ramshackle car, a 1921 Colymne. The car, however, breaks down.
Savanyú and his friend work at a plant. After the monotonous shifts they engage in the pleasures of the afternoon and the night, i.e. parties and concerts. Savanyú dates Juli, they are already engaged. The young men live as sub-tenants, the young women in workers' hostels. None of these places are suited for spending time together. They are in need of an apartment. Out of the ruinous apartment which they lay siege on, however, they are sent away by the otherwise friendly policeman. At a concert held in the Park of Youth, Juli gets to know Géza. They flirt, then go to the country with a pop-group. Savanyú and his friends follow them. A minor fight cools the atmosphere.
A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.
Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in which they face harsh reprisals and the reality of revolt, oppression, morality and violence.
Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.
This romantic and grandiose historical film depicts the era of the constant incursions and heroic battles fought by the defenders of the castle of Eger, led by captain István Dobó, against the heavy odds of superior numbers through the lives and love of Bornemissza Gergely and Cecey Éva. Gergely is inaugurated as a fighter already at the age of 7, when he escapes the captivity of the half-eyed Turk, Jumurdzsak, with Vica and the war-booty. In thirty years' time he becomes the first assistant of captain Dobó and the brain of the castle in the defence of Eger.
Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.
Janos and Kata are thrown together during the Second World War and forced to pose as husband and wife to hide from the Nazis. The intensity and suffocating intimacy of their new relationship and the circumstances in which they find themselves, forces them to confront past prejudices and assumptions and challenge what they truly believe.
In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.
The engineer Ambrus has been suspended in his job because he publicly called the attention of the customers to a construction mistake of some goods designed to be exported. His immediate boss learns the news on a business trip to Paris. He meets his old friend Lendvay, an emigrant from Hungary, and his French wife in a cellar bar. After their talk Benkő starts seeing things in a different perspective. When he returns home, he decides to take a stand for Ambrus against Ferenczi, the general director, despite his wife's and the old director's advice.
After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.
During World War II Carlotta, the circus owner maintains herself, her lover and her rather run-down circus-team by illegal man-smuggling. In the year of 1944, besides the usual refugees, she even has to take Professor Máté, the renown mathematician to the Yugoslavian partisans. The team is joined by Carlotta's psychotic son who has escaped from an asylum.
The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.
The elite of political and business life of the country town gather to celebrate the namesday of László in the luxury villa. Everything begins just as usual, but now an incident disturbs the stag party.
A murder has been committed in a block of flats in Pest. Almost all the dwellers of the building behave in a suspicious way at the beginning of the investigation, although it is their everyday lapses they try to hide. In spite of the janitor's unpleasant comments, light is gradually thrown upon the case.
