Pan-Atlantic Studio

The beginning of the 2000s. New realities, instant adaptation to the proposed circumstances, enchanting careers, unexpected unknown professions... All this could have happened only at the turn of the century, when the Soviet system instantly went out of fashion, replaced by the lightning invasion of the Western world in a grotesque parody. The main character of the film is an inconspicuous girl Nadezhda Strakhova. Nadezhda, oddly enough, is married. Her husband, Vitalik, a provincial, married a childless Nadezhda for the sake of a Moscow residence permit and a typical "Khrushchev" on the outskirts of Moscow. Nadezhda works two jobs to support her small family: in the mornings in the district library and in the evenings in the theater wardrobe. One day her life changes dramatically.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Masha is a young girl from the suburbs from an extremely poor family. She lives in her reality, where she cares for her grandmother and her younger brother, and dreams of her own family and a husband; she badly longs for warmth, love and care. She knows nothing about her serious illness. Her life abruptly changes after a meeting with Matvei Sergeevich, a cardiologist who saves her life.

Two young students - Sonya and Ippolit - are spending their holiday time in sunny Greece. But not everything is going as planned.

Kira is a 30-year-old successful architect living in the illusion of absolute choices while being obsessed with constructing the ideal Moscow. She is used to living life according to her own rules, but she has to face her fear of the future and inability to love. An unexpected tragedy will lead Kira to face her past with her family, start life from the scratch, and become a mother.

A French baron Paul travels to Russia to find the woman whom he had been in correspondence. On arriving to a small Russian town he finds out that Ania had been helping his friend Irina to translate letters which Irina subsequently has been sending to Paul. At this New Year's Day love sparks in his heart as he tries to win her hand.

Twenty years old Slavik confronts a big problem: who to support - his Mom or his girlfriend Zhenya who are in a constant fight.

Pavel Zuev has to start his life over from darkness after he looses his sight. The young man has to learn again how to eat, walk, wash himself, do simple housework, and even how to look out of the window without seeing anything. All connections to his previous life are broken. In this new life blind Zuev encounters an exceptional woman capable of seeing more than other people. Her name sounds symbolic – Nadezhda (translates as 'hope' into English) and she works at the local hospital. Nadezhda will help Zuev find his strength and a new sense of existing. These equally strong but otherwise different people spend together what, perhaps, will be the best days of their lives; but everything has an ending.

Nina is barely 40, she is attractive and successful: a stable marriage, a trusting relationship with her husband, a little son, a favorite job. The idyll of pleasant stability is broken by a call from the past - Nina's ex-lover Ruslan is dangerously ill and asks her to come to Tbilisi to see him, perhaps for the last time. The husband does not mind, he knew about their relationship in the past. Nina is happy to go to the city where she was happy in order to support a once loved one in a friendly way. She believes she loves her husband and family and plans to return home soon, not expecting this light trip to be her last.

A story about love, hate and loneliness, depicting several days from the life of two brothers. They work as track walkers on a railway somewhere in rural Russia.

Two friends are engaged in theft of cars in order to extort money from their owners. The next stealing runs smoothly. The owner of the car agrees to pay, but puts forward an unexpected condition ...

In the regional centre Kuznetsky the mayor has been killed in his office. The murderer is Dimur Kavsadze, in charge of commercial construction work for the city administration. A squall of public concern beleaguers the city. Alexander Danilin is an undercover curator, an intermediary between the business and the authorities; he tries to eliminate trouble and return life to normal. The cause of the tragedy was a construction project, which wrapped itself around Kuznetsky like a tumour, and which was a source of profit for the authorities and the local builders. The construction “devours” free land, the souls of people and even what seems beyond the law of profit: the family. Neither the death of people, nor common sense can stop the construction…

Childhood memories play on the mind of the central character, Garry. Many years on, he returns to his native town. Everything feels alien and strange. Our hero comes back to recover his memories, the good ones and the bad ones, the pleasant ones and the painful ones. Will the old fortune-teller Nina, a well-known dream gatherer in the city, be able to set an already grownup man free of the chains of the past which had become unbearable by that time? Or will our hero, Garry alleviate her life by discovering his freedom?

A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.

Over the past two years, humanity has faced an absolutely new degree of loneliness and fear – a pandemic. Disunity or, conversely, too close contact for a long time, emotional burnout led society to collective trauma. "New World" is the story of 12 families from Moscow, Paris, St. Petersburg, New York, Kiev, Simferopol, Herat, Miami and Dublin. The characters of the film are learning to live in new conditions. We follow their transformation with the help of their own video diaries and special shooting, recording the most intimate and important events that they have lived over the past two years. For all of them, the pandemic is becoming a test of strength. Against the background of a new reality and a new world, we remember the pandemic almost with nostalgia, still feeling its consequences.

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

Narration about the life of the amateur Ukrainian artist Maria Primachenko on behalf of the "great old woman" herself. Biography of the era through the prism of its amazing fate. Talent and boundless artistic imagination. Primachenko's works are her personal way to invent and see the vast world without leaving the small village where she spent her whole life.

The plot revolves around the residential complex "Venice", which cannot be completed for seven years. Twenty would-be owners gather in one of the apartments to start negotiations with a potential investor who wants to build a restaurant on the first floor of the building, but this space is already owned by the priest. Some of the tenants must donate their own area, so as not to anger God.