On the eve of the Hong Kong 1967 social unrest triggered by the miss-management of the colonial government, Butterfly Yiu was given an accidental chance to perform the final show when the original and star performer, Pak Long, was stranded at another venue. This started a chain of events that will change the four character's lives forever.
James Wong stars as a late night talk show host who tells some of the dirtiest jokes and is insanely popular. His show is the biggest rated late night show on television. But all of his credit should go to his mistreated joke writer (Tommy Wong). Instead of paying him the money he truly deserves, James Wong short changes him every chance he can get. His personal life is a mess as well. He has a hot wife whom he can't satisfy and no friends.
A large family decide that they must find a bigger place because their current flat is too cramped and triads are threatening to burn them down to pass a message on to somebody down the corridor. So after being mucked around by an agent selling a house in the country, they move into a dilapidated house. They then discover that it is going to be torn down and a huge shopping centre erected.
Lau Ching Wan was in the force for almost ten years. He was very careless and was termed "Detective Idiot" by his colleagues. One day, he came to the knowledge that his boss, Christine Ng was a lesbian. Nevertheless, they became good friends and treated each other like brothers. Unfortunately, Lau fell in love with Ng's girlfriend.
The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.
Lovable Mr. Coconut arrives in town from Hainan China where he lived with his coconuts. Here in the sophisticated urban jungles of Hong Kong. He has finally reunited with his family, as he endures Hong Kong Streets of the late 1980s, filled with stock and property gamblers, heavy mobile phones and others.
Tiger fighter Wu Sung was originally a coward. But when he was drunk, he was extremely courageous. One time at Jingyang Gang, Wu Sung got drunk and killed a tiger. His fearless fight impressed Sung Jiang and Lao Zhishen. Wu Sang's brother Wu Dalang seemed to be an enmity with Pan Jinlian, but in fact they were a pair of swindler. Pan used her beauty to seduce men into bed and then Wu Dalangn would come in and blackmail the victim, asking for huge sum of money. They were very successful.......
When a boy disappears from home his mother enlists the aid of two ex-lovers by telling each that he is the boy's father.
Kui (Wong Ka Kui), Keung (Steve Wong), Chung (Paul Wogn) and Wing (Wing Yip) are four buddies who are all very enthusiastic about music. Together they form a band called Beyond. In order to fulfill his family's emigration dream, Kui works round the clock to earn money and exhausts himself to sickness. Keung wants to build a successful career, but only finds himself being framed by his boss. Chung's childhood dream was to become a police officer, but he is rejected due to his weak body. Wing wants to study music at Hong Kong University, but his girlfriend (Faye Wong) and her parents pressure him into medicine. Can they find their ways again through friendship and music?
Fuk Ching (Michael Hui) runs a farm in Mainland China. Persuaded by a Western businessman, the two put together a joint venture scheme to build a hotel.
Determined to hold onto the past, the owner of a handmade-umbrella factory struggles to keep the business running.
