Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
An interesting mixture of filmed scenes with Belmondo and archival footage regarding cultural aspects of all kind around Paris, starting at the end of the 19th century and ending in the mid-1960's. Jean-Paul Belmondo leads us through the movie starting as a young photographer around 1900, a reporter in both world-wars and doing fictional interviews with lots of celebrities.
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
Simone and Jean have just married and, looking for a home in the Paris region, are lucky enough to find a house with a garden in a residential suburb. Expecting their first child, the young couple began to observe how the parents of neighboring families were raising theirs.
