A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.
A young man fights to overcome a piratical arms smuggler and to win the heart of a rich man's daughter.
Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."
When Dorothy's Southern, aristocratic father Colonel Raleigh refuses to let her marry Forbes Stewart, a Northern gambler, the couple elopes. When Dorothy soon thereafter becomes pregnant, Forbes vows to reform, but authorities arrest him on a gambling charge, and he serves a year in prison. During that time, and just before the birth of the baby, a woman comes to Dorothy and claims to be Forbes' wife. Stunned, Dorothy returns to her father, but the colonel throws her out, and so, on her own, she has her baby, whom the community believes to be illegitimate. Convinced that she has sinned, Dorothy is about to kill herself when Forbes, just out of jail, finds her and explains that the other woman simply had been an ex-sweetheart trying to win him back.
The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.
A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.
Double Trouble is a 1915 American silent romantic comedy film written and directed by Christy Cabanne and stars Douglas Fairbanks in his third motion picture. The film is based on the novel of the same name by Herbert Quick. A print of the film is held by the Cohen Media Group.
Renee is a French artist's model who uses morphine as an escape from the dull reality of her life. She recommends it to a neurotic artist because "it kindles the fires of genius." The artist quickly becomes addicted to the drug and the quality of his work begins to disintegrate. He takes on a new model, marries her, and starts her on the same path of moral degradation, until a guilt-ridden Renee decides to intervene in order to save them both. According to silent film historian Kevin Brownlow, THE DEVIL'S NEEDLE was banned by the state of Ohio, but the censor board reversed its decision after recognizing the positive message beneath the film's scandalous surface. This special edition was mastered from a 35mm preservation print of the 1923 re-release version. The only known surviving copy, the element suffers significant nitrate decomposition during some scenes.
A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.
A 1917 film directed by Lloyd Ingraham.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.
Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.
Brutal rental agent Joseph McGuire demands that Molly-O marry McGuire's son Denny, lest her family be thrown out of their humble shack. But Molly-O prefers the company of carriage driver Larry O'Dea, who unfortunately is just as broke as she is. Or is he?
Lillian Vale is the naïve and unworldly daughter of minister Josiah Vale. Swept off her feet by handsome Robert Powers, Lillian marries him, unaware that he is constitutionally incapable of fidelity. Led astray by vampish Hattie Lee, Powers follows his new paramour to the Big City -- the first of several bad decisions which culminate in disaster for the errant hero.
To the dismay of Allison Edwards, her bookworm, adoring neighbor, Mary Randolph, falls in love with and marries Jack Van Norman, a rich and handsome former football star. After a few months of marital contentment, Jack becomes infatuated with Rose, an exotic dancer.
An attractive young girl struggles to hold a job as she deals with unwanted romantic advances from her boss.
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
A woman is stuck with an unfaithful husband until he is killed robbing a bank.
Small town youth Jimmie Bates is a well-intentioned, but troubled youth. Jimmie is a rowdy boy who is always getting into trouble and playing pranks on his friends and neighbors. Although deeply in love with young Mary, he eventually spurns Mary's affection for the more outgoing and worldly young Ruth.
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
