Man with a Movie Camera

Man with a Movie Camera 1929

7.84

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

1929

The Eleventh Year

The Eleventh Year 1928

6.20

The film is dedicated to the achievements of the Ukrainian SSR for the eleventh anniversary of the October Revolution.

1928

In Spring

In Spring 1929

6.50

In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv.

1929

Earth

Earth 1930

6.70

Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.

1930

Zvenygora

Zvenygora 1928

6.36

The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of Zvenygora – Treasure that rightfully belongs to his homeland. The film wonderfully blends both lyricism and politics and uses its central construct to build a montage praising Ukrainian industrialization, attacking the bourgeoisie, celebrating the beauty of the Ukrainian steppe and retelling ancient folklore. Said Sergei Eisenstein of the film, "As the lights went on, we felt that we had just witnessed a memorable event in the development of the cinema".

1928

Enthusiasm

Enthusiasm 1930

6.32

A lyrical documentary on the lives of Coal miners in the Donbass who are struggling to meet their production quotas under the Five Year Plan.

1930

Arsenal

Arsenal 1929

6.76

A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.

1929

P.K.P.

P.K.P. 1926

5.60

The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.

1926

Through Tears

Through Tears 1928

5.00

The poor tailor Perchyk who dreams to buy a she-goat lives in a small town. Meanwhile, Perchyk’s daughter Frida falls in love with the unemployed Elia Perchyk is totally against their marriage, as he cannot buy a she-goat if the son-in-law does not have any money. Finally, Perchyk buys a she-goat from a rich tavern owner but he gives him… a goat. Moreover, a police officer dissatisfied with the tailored uniform forges a document, according to which Perchyk and his whole family are expelled from the town as troublemakers.

1928

Forest People

Forest People 1928

1

The first years of industrialisation. Disguised as a hunter, an ex-White officer Poloz, who is connected to the international intelligence, is hiding in the forest where the construction of a new power station has begun. An intern making photos of the buildings suddenly notices Poloz. Frightened to be exposed, Poloz kills the guy and makes a cut in the base of the scaffolding of the main building of the power station. In face of a failure, counting on his ex-wife Katia’s help, Poloz kidnaps a 10-year-old boy. Hrai, an engineer and the father of the kidnapped boy, finds Poloz’s hiding place in the forest, and his assistant Varrava shoots the White officer at that very moment when he tries to explode the main building of the power station. The film is lost.

1928

Cement

Cement 1927

1

A russial film about construction workers.

1927

The Night Coachman

The Night Coachman 1929

6.50

Set in Odesa at the end of the Civil War when the town is occupied by the Whites. The night coachman, fifty-year-old Hordiy Yaroshchuk, lives with his daughter Katya who gets involved with a Bolshevik and revolutionary.

1929

Kira Kiralina

Kira Kiralina 1928

1

To pay off their debts, parents sell their daughter Kira to an old coach maker, a wealthy man Stavro, before her birth. When Kira is 13 years old, Stavro takes her to his home as a slave wife.

1928

First May in Moscow

First May in Moscow 1923

5.30

The building of Sevzapkino. Columns of demonstrators are moving along Bolshaya Dmitrovka, Dzerzhinsky square, Pushkinskaya (Strastnaya) square, Kamenny Most (The Big Stone Bridge) and Red Square. Decorated cars and trucks. This is a Military parade on Red Square. L.D. Trotsky, N.I. Muralov, S.S. Kamenev are among the commanders. The demonstrators are carrying the models of a boat, plane and globe. The theatrical march. The members of the government and guests including K. Tsetkin are watching from the tribunes. There are lots of planes on the airdrome and square. M.M. Litvinov, N.I. Rikov and others stand near the plane. The plane builds jp speed, soars in the air, leads for landing and lands. Hordes of people gathered at the aerodrome. Camera operator is shooting. The church on the corner of Ulitsa Myasnitskaya (Kirovskaya), the building of GUM (State Department Store) and Khamovnichesky (Frunzensky) Council. Illuminated building.

1923

Five Brides

Five Brides 1930

3.00

During the Russian civil war, the Whites, that anti-Communist force that fought against the Bolsheviks during that period, capture a Jewish Ukranian village; the gang commander threatens a pogrom, and will kill everyone in the village unless the inhabitants agree to give to the White Officers five virgin girls in wedding dresses. Under such terrible pressure, the Jewish council of the town decides, full of sorrow and despair, to sacrifice their daughters to the drunken officers but fortunately and just in time, a detachment of partisans that belong to the Red Army, comes and frees the village.

1930

Love's Berries

Love's Berries 1926

4.90

Jean, the hairdresser, is flabbergasted: what is that baby his girlfriend Lisa has put in his arms out of the blue? The fruit of love? Out of the question. From that moment on, the reluctant father has but one thought in his head: he must get rid of the cumbersome 'article'. And, take his word for it, all the ways are good.

1926

Tamilla

Tamilla 1927

5.00

Tamilla is a 1927 film written by Maria Moraf and directed by Muhsin Ertugrul. The screenplay was adapted from Ferdinand Duchêne's work of the same name. It is one of the two films Muhsin Ertugrul made while working at the Ukrainian Photo-Cinema Administration (VUFKU) in Kiev. It was premiered in Turkey 92 years later with a special screening at the 56th Antalya Golden Orange Film Festival.

1927

Locksmith and Chancellor

Locksmith and Chancellor 1923

1

The Government of the fictional country Norland has unleashed a war with the neighboring Galikania and is suffering one defeat after another. A group of conspirators who were dissatisfied with this state of affairs, led by the Social Democrat Frank Frey arrange a coup to overthrew the emperor of Norland. But the working class does not like the new order either. Workers expose Frank Frey's policy of continuing the war and a revolution breaks out in the country. The leader of the socialist revolution becomes a mechanic of the name Franz Stark.

1923

Taras Shevchenko

Taras Shevchenko 1926

1

The film adaptation of Taras Shevchenko’s biography of 1925 is the first Ukrainian biopic. At that time, it was one of the most expensive films, as for the first time experts in history, ethnography, and literary studies were involved in pre-production. The famous Modernism artist, academician Vasyl Kryvhevskyi designed the film, and professor Serhii Yefremov served as a consultant.  Consisting of numerous short stories, the film that shows the life of Shevchenko as an adolescent, a soldier, a poet, was successfully demonstrated in Ukraine and abroad and became the most acknowledged cinema project of 1926. Amvrosii Buchma played Taras Shevchenko.

1926