NIFCO

A young man who is riddled with dread about identifying his calling in life seeks the advice of an older man who is all too familiar of the insidious tragedy that connects the both of them in the claustrophobic space they occupy.

When Newfoundland locks down during the COVID-19 pandemic, a former dancer becomes further trapped in a toxic relationship with her emotionally abusive husband. Increasingly isolated and with only a goldfish as a friend, she is forced to choose between placating her husband and freeing herself.

An eccentric old man in a local pub tells tales too tall to be true.

Faustus is a clerk in St. John's at the Newfoundland Department of Education. He dreams of becoming ruler of Newfoundland and seceding from Canada. In the real world, Faustus' boss Eddie Peddle plans to indoctrinate the citizenry of Newfoundland with a cult-like geometric theory known as Total Education, but Peddle may be foiled by the revelation of a secret from his past career.

A young girl named Pearl tries to help her father navigate the world of online dating.

A man returns home to attend the funeral of a past love. When he receives a package she left for him, it takes him down a road of long-forgotten memories and a classic haunting romance.

In this hilarious tale about facing adult responsibility, a young couple with relationship troubles must choose between talking things through or using their newly acquired magic wands to resolve their issues.

When a boy from Darcy's cadet corps insists she attend the Trampoline Social, she sets off for a dramatic evening of self-acceptance and sweet backflips.

A Codco documentary turned improvised drama about a woman named Dolly who, fed up with taking care of a group of ungrateful layabouts, runs away. The story is intercut with footage from another Codco project called "Borkin the Spineless Servant."

Ann and Amy are sisters with a positive relationship, despite being very different people. They have been separated for the last two years due to Covid and work/ life situations. They are finally together to reconnect and share their lives as new moms. They are both in for a surprise.

A teacher attempts to teach his students to properly enunciate the letter 'R'.

This film discusses the search for the last remains of Demasduit (Mary March), one of the last of the Indigenous Beothuk people, set in the Red Indian Lake area of Central Newfoundland. A young girl, Bernadette Buchans, believes that she is related to Mary March. Throughout the whole film, Bernadette and her father Ted are searching for the grave of her mother. An archaeologist/ photographer, Nancy George, accompanies them and she also believes that she has family connections to the Beothuks.

A couple encounter a stranger on their way home.

Struggling to deal with the loss of her husband, Mary has not yet been able to enter the room in which he took his own life, let alone even open the door. After starting to hear tormenting voices and strange noises coming from inside, Mary must finally confront the reality of her situation and open The Door.

A person who hates all their clothes struggles to decide what to wear to a house party. At the party they see their ex-it’s-complicated with a new partner. A tense interaction sparks a nascent lifestyle change.

A young man receiving medical treatment in the hospital reminisces about fishing in the small dory his grandfather owned.

When two halves of a young couple can't get to sleep one night, a petty argument starts over nothing. As their frustration grows and the fight escalates, it becomes clear that what they aren't telling each other is what's really bothering them.

Mary recounts to her daughter Eva the childhood story of when Mary and her father fell through the ice on a frozen pond.

It's a fine, frail line between fantasy and reality when the doleful, downtrodden state of a couple's relationship unfurls against the backdrop of a feed of moose sausages and tea. Sexual frustration, co-dependency, domestic despair and just a hint of missing male libido all play out within the crestfallen subtleties of opposing table manners and passive aggressive tea-brewing rituals.

Three excavation vehicles move together with impressive grace to a contemporary classical score, gently inviting us to re-examine the way we view dance and technology.