Vulcana Cinema

After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

Joana is the victim of a hit-and-run after antagonizing an aggressive driver who cut her off in traffic. On the surface, she’s visibly shaken but manages to walk away unscathed. Intending to shrug it off alongside her partner Cecília, a viral video turns up online, forcing her to process the event. Reluctantly the pair enter the lives of culprit Elaine, her estranged husband Cléber and son Maicon, an introverted budding filmmaker.

Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.

After using a strange AI device in a decadent course for unemployed people, a 40-year-old amnesic man gets obsessed with recurring absurd dreams, believing they are his life memories. Fourth feature film by the Brazilian director Davi Pretto.

Uruguay, 2045. Yerba mate is prohibited. Two illegal vendors travel to Paraguay to smuggle weed. On this journey they become accidental heroes as they return to the people their lost identity.

The language that is born from the intersection of cultures, is a pretext to speak of the genesis of Latin America. A road movie that does not seek an answer on the way, but rather to break all possible certainties of what it means to exist at the edges of cultural definitions.

A portrait of five people who were important to the filmmaker when he was a child. Apart from a few childhood photos, he himself remains out of the picture. He visits a teacher who used to take care of him, and a gay childhood friend. Their combined stories—about exclusion and terror, but also love—paint a portrait of a small, somewhat oppressive community and a boy who lost his sense of security within it, despite the help he was offered. In his wistful look at the past, Barreto transcends his personal experiences; anyone can identify with his bittersweet journey.

In a poor neighborhood crisscrossed by a polluted river, Tati, a 14-year-old girl, is forced to grow up alone in a troubled and confusing context. While learning to sail on the river, she dreams of being a boat rower. A job only ruled by men.

A young Brazilian, who has just started working in a huge forest in Berlin, is dragged into a nightmare involving the German colonial past when he tries to find a girl lost in the woods.

The archaeologist Margot Moreira returns to his place of birth, the exclusion zone called Central Depression, in southern Brazil. There, the sun never stops shining.