It is the last day of High School and the unthinkable is about to happen. Distraught at the constant abuse and bullying they have been subjected to, two students have made a suicide pact. But before they take their own lives, they are determined to cause chaos and murder amongst their fellow students.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
A documentary about the life and works of the artist M. C. Escher. Maurits Cornelis Escher (1898-1972) usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.
In his inspired first film, Chasing Buddha, Amiel Courtin-Wilson (who happens to be Robina’s nephew) provides an intimate portrait of a unique individual whose own search for inner peace helps guide others to transcend their arduous circumstances. An Australian expatriate, ex-Catholic, and ex-leftist radical with a penchant for speeding, espresso coffee, and four letter profanities, Robin Courtin hardly seems a likely candidate for a Buddabist nun. And yet, since her conversion, Robina has traveled the globe, teaching her very unique brand of Buddhism to an international following of passionate devotees.
