KASK

I found a little bird on the sidewalk, just around the corner from my house. We became roommates and close friends, connected by our shared otherness, confined within the four walls of my bedroom. Setting up the camera became a ritual, a way for us to interact and explore our relationship. As I scroll back through the memories on my iPhone, Icarus gradually transcends his avian nature. Slowly, he transforms into an image himself, inviting reflection on the nature of the human-pet relationship that we carry in our back pocket.

A meeting between two strangers sparks the desire to understand each other through the medium of cinema. They both simultaneously start recording their surroundings on camera and crafting the resulting footage. They, Elettra from Italy and Hazem from Gaza, become the subjects of this film that documents their first moments together. It depicts a multi-faceted reality in which North and South confront each other in a discussion on rights and inequalities, a reality in which we witness a migration towards one another, while capturing an intimate way of making a film together.

17 year old Jasper lives in a very grey, small town. In his family, he cannot be himself. Jasper's dad is a singer, named Lukkie Luk. All the attention in the family goes to his career. Jasper searches a way to handle this and is faced with the typical questions in the life of an adolescent. Questions that will not be answered when he stays in his own routine.

On the occasion of a dance competition a young ballet dancer is in a foreign place. Alone in his hotel room loneliness overpowers him, until he meets a stranger on the run.

Perceiving a closed world where beauty, architecture and geometry are given equal status to murder, love and philosophical thought. Like the concepts of Oscar Wilde’s portrait story of Dorian Gray, where beauty and sensual fullfilment are the only worthy pursuits of the protagonist, the film’s aesthetics are composed and imbued by painting. The references and events of Melodica are sourced from the painting The Golden Age by Lucas Cranach the Elder.

The lives and interactions of four neighbours in an apartment building are seen simultaneously in four different rooms. Flatlife is an animated film created by Jonas Geirnaert in 2004 was chosen for the competition of short films at Cannes in 2004.

Two individuals. Two men. One location. One secret love. This short film tells the story of a secret love that takes place in an art school. A love between two individuals, both lost in their secret lives.

The story is about a boy who is bouncing back and forth between different stages of life, but it is also a story between man and child.

A restless young man roves in the gay hotspots of a metropolis. Anonymous places dressed in mirrors, intense colors and kitschy decors are the landscape for this stranger in search of comfort, connection and himself.

A sober and intense picture about researching sexuality.

A French girl has just moved to a country called Dutchgaria, but she is struggling with the strange language and trying to understand the locals.

In a quiet and snowy Chechen village, mother tells her daughter about the return of Zara – their relative, who left this place 20 years ago. Outside, the whole world is hidden in a thick white fog. For both women, the upcoming meeting is a bright event in their dull daily life that they are very much looking forward to.

A budding relationship between two young pallbearers results in a confrontation with their fear of vulnerability.

Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic. Client after client, he roams through the alleys of concrete animated by a fantasy that isolates him from the city and its population. His dreams corrode his relation to reality and open the door to a phantasmagoric universe; a second sun is rising above the Russian Arctic.

When the obese, lonely teenage girl Claudine loses the only certainty in her life, she slips away into an emotional crises.

Set in the intimacy of the "old little house" in the working-class neighborhood of Brussels, les Marolles, Rue Haute 116/118 captures the relationship between people and their surrounding space, how these two elements interact and ultimately shape each other.

Alice finds it difficult to find her place in the group and considers her friend the cause. An unspoken game of challenges arises.

Surrounded by the sound of nocturnal animals, a girl falls into a deep sleep. Gradually we are drawn into her dream, which unfolds into a cosmic journey through the meadows of Erpe-Mere.