Satyajit Ray Film & Television Institute

In Kolkata, three art college graduates named Kapil, Debdutta and Padmini decide to live together and share their love for each other equally.

Chanchal, a typical soft middle class young Bengali and Calcuttan, not masculine enough and unconfident about the sex and the woman, pays out most of his time finding a suitable girl to prove his credibility as a male. In most of the cases he fails to frame himself as good enough a man to the girls he come across and gets disillusioned on all the occasions. Finally, he almost reaches a beautiful girl to a close proximity, but unfortunately, no sooner had he succeeded to win the girl's attention, he becomes blind in the curse of God.

In the 90’s in a convent in Kerala, Sister Philomena is seriously ill while all the others are preparing for the anniversary of the convent school. Sister Nirmala who looks after sister Philomina is assigned to be with the actress Urvasi, the chief guest for the function. Sister Nirmala’s happiness has no bounds as it the same actress she has a deep fascination for, which the rest of the convent is not aware of. Things take a decisive turn when, on the day of the anniversary sister Nirmala is asked to stay back and look after Sister Philomina whose condition has unexpectedly deteriorated.

Set against the backdrop of NRC and CAA, the film navigates the life of an old man who is forced into early retirement as he fails to produce proper documents.

Art film about a woman dying and three princes taking a journey. Vipin's diploma film at Satyajit Ray Film and Television Institute, Kolkata (2003), looks at the ideas of entrapment and liberation.

Oru Paathira Swapnam Pole is a Malayalam drama movie, directed by Sharan Venugopal. The cast of Oru Paathira Swapnam Pole includes Nadhiya

Jag, an unnerved contractor shelters an unconscious, troubled boy - having promised him a healthy future for the two.

Inspired by Tennessee Williams' short story "Something by Tolstoi," this movie is about a cinema projectionist whose wife decides to leave him so she can become a well-known actress in the movie business. The projectionist had been rewriting the happy endings of Bollywood tragedy films since he was a young boy. He was a closet writer. Despite his talent, he lacked the confidence to survive outside his movie theatre. The projectionist loses all control as he creates a variety of happy endings for his love tale in an effort to win back his wife. After a decade, fate steps in and brings his wife back. However, he has forgotten who she is and what he has been looking forward to for all these years.

Neerbhukhi, a peaceful demoness, wants nothing more than to be one of the humans. However, the villagers will not accept her because they believe she is responsible for a severe water shortage. Following a traumatic incident with the humans, the demoness hides in a dried-up well and bursts into tears. Her tears pour forth in a raging torrent and flood the well. It is said that the demoness still cries in the well and that the village has been blessed with water ever since.

A propaganda playwright faces challenges during the final rehearsals of the play when a certain turn of events unravels the contrast between the real lives of the actors and that of their characters. The rehearsal stops when the lead actor refuses to deliver a dialogue out of fear of religious conversion.

A man and a woman meet in an urban space as strangers and remain so until the end whilst they steadily grow alienated from their surroundings. As they close in on their own crises, they begin to feel comfortable with their respective existences.

Sam, a retired English professor, goes for a drink to Tangra, reminiscing over his wife. His 12-year-old tuition student goes along with him

Meenakshi, a middle-aged working woman, on this day comes home early from work and finds her husband cheating on her with their maid. But there is something more terrifying yet to be revealed.

The continually surprising and endlessly playful visuals in Subarna Dash and Vidushi Gupta’s animation are the perfect accompaniment to the lively and taboo-busting discussion of a group of young women.

A woman who tries to distance herself from painful memories, falls in love with a spirit who has forgotten his memories on earth.

Struggling with depression, 35-year old corporate executive Keshav seeks solace from enigmatic writer Gulmohar. His quest leads him to a modest newspaper house, unravelling a transformative journey of healing and connection.

Shirish, a struggling student, tries to solve mathematical equations and/or tries to break out of a human cage.

As the construction of a new, hypermodern airport begins in its vicinity, a millennium-old village is faced with imminent displacement. Tracing this erasure, A Flower in a Foglight, cultivates over the series of five episodes a mythology of this historical village, which once was.

The film writer, cameraman, production manager and the actress set off on a car trip driving through the story. A trip the director chooses to abstain. He believes it’s a story the road will write. All he needs is the writer to refine the route map… pen and petrol. A pointless long travel. The crewmembers fall apart one by one. The actress is let alone with the writer. The travel continues till they meet a dead end. But the story has to return.

a short film produced by srfti.