A group of people gather at a roadside hotel during a heavy storm. As hours pass, rumors spread in the lobby: a fugitive criminal was captured. Among local cops, it is difficult to know who is in the service of the law and who is looking for revenge. Santana, an ordinary man, responsible for the criminal's arrest, sees his life turn upside down as he tries to expiate his guilt for a lie in the past.
Hélio is a police chief who wants to free his town from the hands of Paulo, owner of a rundown nightclub that conceals criminal activities behind the stage where young girl Mariana performs every night. Mariana is a dancer who dreams of leaving town alongside her brother, Paulo's henchman, who is missing and being pursued by the police chief. This situation ties Hélio's to Mariana's destiny, who remains trapped in a life of cyclical actions and frustrations, forcing her to immerse in representations as if they constituted all reality. On his journey, the police chief befriends the girl, tries to help her, but they can't escape a brutal clash of interests, which leads both of them, and the city as a whole, to a tragic end.
Savella travels to Italy. There, he discovers Rome, its landscapes and monuments. He remembers, among the ruins, where he came from and what motivated him to leave and return.
A scene is created and rehearsed in Master Divonzir's dojo.
Luiz Antonio Guinski's airplanes pervade the boundaries between image and word, composing a body of work that destabilizes matter to explore drawing, chance, symmetry - the body and the machine.
A regular day at Master Divonzir's dojo.
A girl sleeps in the woods and wakes up for life.
The bad day of a film buff at the Cinematheque. A stranger projects herself on the screen and changes its course.
After losing his home, town, work and love, a poet travels far away and eventually finds the way back through parallel dialogues with his absent friends.
Savella recalls an old story, an old knowledge, reads Buñuel and prepares his drink, Pinga Seca.
An old man builds houses to protect his home.
Anezia dos Santos talks about her childhood in the Vila de Operários da Sociedade Anônima Fábrica Votorantim, in the interior of São Paulo.
Wandering, reading, writing, talking, stalking and arsoning in Curitiba.
Marina catches some flowers and eats them.
Boy meets girl. They meet again. They wave goodbye.
Film-study about cities based on the free association of ideas, with two interpreters who wander through the center of Curitiba.
A community in the Brazilian countryside has its order disturbed by the arrival of outsiders: a group of teenagers who find out, the hard way, that the Devil exists.
It's Saturday in the woods: strange noises draw the girl's attention. It's the Devil.
Three crooks are hidden with a stolen bag, only one criminal can save them: The Thin Man.
