Caught in a Cabaret

Caught in a Cabaret 1914

5.60

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

1914

Cabiria

Cabiria 1914

7.20

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

1914

His Prehistoric Past

His Prehistoric Past 1914

5.60

Set mostly in the Stone Age, a prehistoric king, with a harem of wives, rules a beach. Charlie arrives and falls for the king's favorite wife. In the end, it turns out to have been a dream; Charlie was asleep in the park.

1914

Making a Living

Making a Living 1914

5.60

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

1914

Gertie the Dinosaur

Gertie the Dinosaur 1914

6.60

Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.

1914

Gentlemen of Nerve

Gentlemen of Nerve 1914

5.70

Mabel and her beau go to an auto race and are joined by Charlie and his friend. As Charlie's friend is attempting to enter the raceway through a hole, the friend gets stuck and a policeman shows up.

1914

A Film Johnnie

A Film Johnnie 1914

5.40

The Tramp, a film Johnnie (someone who loiters near theaters or studios to meet stars or get a job), attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.

1914

His Trysting Places

His Trysting Places 1914

6.20

On his way to a restaurant, Ambrose, a happily married man, obliges to mail a letter for a woman in the apartment lobby. Unbeknownst to him, the letter is about a rendezvous with her own lover at their "trysting place". Elsewhere, after some domestic frustration, Charlie runs an errand to buy a baby bottle before stopping at the same restaurant. After a confrontation there, they both inadvertently leave with each other's coats. Later, their wives independently discover what appears to be incriminating evidence of extramarital affairs from the pockets of the swapped garments. It all comes to a head when all four of them find themselves at the "trysting place" in the park.

1914

Tango Tangles

Tango Tangles 1914

5.00

In a dance hall, two members of the orchestra and a tipsy dancer fight over the hat check girl.

1914

The Property Man

The Property Man 1914

5.60

Charlie is in charge of stage props and has trouble with actors' luggage and conflicts over who gets the star's dressing room. Once all that is resolved the next issue is getting everyone on stage with the correct backdrop.

1914

Mabel's Married Life

Mabel's Married Life 1914

5.90

Mabel goes home after being humiliated by a masher whom her husband won't fight. The husband goes off to a bar and gets drunk.

1914

Tillie's Punctured Romance

Tillie's Punctured Romance 1914

6.10

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

1914

Caught in the Rain

Caught in the Rain 1914

5.70

When a married couple become separated in the park, a tramp sits with the lady and is beat up when her husband rejoins her. He takes a room in their hotel, and chaos ensues.

1914

The Star Boarder

The Star Boarder 1914

5.10

A fun-loving little boy's magic lantern show exposes some indiscreet moments between his landlady mother and her star boarder.

1914

Twenty Minutes of Love

Twenty Minutes of Love 1914

5.60

Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.

1914

The Avenging Conscience

The Avenging Conscience 1914

6.10

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.

1914

His Musical Career

His Musical Career 1914

5.90

Charlie and his partner are to deliver a piano to 666 Prospect St. and repossess one from 999 Prospect St.

1914

The Fable of the Husband Who Showed Up and Did His Duty

The Fable of the Husband Who Showed Up and Did His Duty 1914

1

Mrs. Clymer has great social aspirations, and every time she gave a party her husband was in the habit of going to the Hash House for his sinkers and coffee. One night she panned him to a whisper for not showing up at one of her shindigs, so he promised to be on hand for the next one. Sometime later Mrs. Clymer railed the hens one afternoon for a musical. Hubby happened home early, so nothing would do but he must get gussied up and entertain the ladies. There was one young grass widow present who looked mighty good to hubby. His wife had told him to pay some attention to her lady friends, so he extended himself. Before sending the widow home he got her address and told her he kind of wished he was single. Mrs. Clymer got his number and forbade him to ever show up at another one of her parties.

1914

Won in a Closet

Won in a Closet 1914

5.00

Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.

1914