While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.
Aida, member of a Tunisian contemporary dance troupe touring Morocco, provokes during a representation in a small Middle Atlas town, her life and stage partner Hedi, who injures her onstage triggering a series of events through a long night across a forest, on the way to the next village's doctor.
Maxime and Mélanie are a typical teenage couple. Like most lovestruck fifteen-year-olds, they can't get enough of each other and they think they'll be together forever. But when Mélanie becomes pregnant, their worlds are rocked.
Laura, in her thirties, lives alone on the outskirts of a big city. She learns that her father is in a coma, following a serious traffic accident. She decides to visit him regularly at the hospital: the opportunity finally presents itself to settle accounts, perhaps even to take revenge... But life is unpredictable and Laura's desire for revenge will lead to a reunion troubling with her family and her past. She will come out of it reconciled, with herself and with life.
All her life, Christian and Ludo's mother has bet on the same lottery numbers but has never won a penny. When she dies, the two brothers decide to continue the family tradition.
This documentary film is a dialogue between young women about female sexuality. Addressing the subject with freedom, courage and humor, they share their stories and experiences with the desire to change the world around them and to assert their right as women to an informed sexual education, free of constraints and taboos.
In their momentum for a neo-rural life in the Belgian Ardennes countryside, Brice and Lara soon have to face the imminent construction of a holiday resort nearby. A true race against time then starts for the young couple and revolves around Brice's quirky cousin Jacques, a native from the village, prone to mystical visions that will eventually lead them all to the Vatican! In a climate of provincial burlesque comedy both tender and grotesque, the Chapon-Laroche village microcosm, especially our endearing trio, will inexorably undergo a series of metamorphoses.
Half-brothers Galaad and Noé first meet at their father's funeral. They have little in common, apart from an equal share of personal failures. Convinced that the evil eye has been dogging them ever since their father stole a sacred relic, Galaad convinces Noé to act. Suddenly adventurers, the two men set out in search of the stolen object, and in search of the chance that has shunned them until now.
Lionel, seventeen years old, assaulted by his father, is going to become a daddy.
This documentary re-examines the story of the Red Orchestra: the most important resistance network in Nazi Germany, whose operations extended from Berlin and Brussels to Paris.
Gina, 15, lives in a city on the edge of the forest. She admires her father, unpredictable and whimsical, able to take his children at night in the woods, even to forget them. Jimmy's more and more frequent skids end up alarming his wife Carole. Soon, the fragile family balance is broken when Jimmy is interned in a psychiatric hospital. When Gina meets Nico, a boy from her neighborhood, she awakens to love and sees a chance to escape her father.
1956, a handful of families survive in makeshift shelters in appalling poverty and daily violence. A man, Joseph Wresinski , a priest, himself born into great poverty, decides to settle among those he calls "his people". Among these families, that of Jacques. His life will be transformed by his meeting with Father Joseph. His own, but also that of the people who will join the fight of this revolutionary priest. A fight against assistance and charity which, he says, “push the poor into indignity
This is the story of two childhood friends - Lucas (a 16-year-old high-schooler) and Bert (a mechanic’s apprentice) - who flee the suffocating fish bowl that their killjoy families’ lives have become. Lucas, still quite immature, finds a “big brother” in Bert, a guide who is going to take him straight to the brink of catastrophe. But very quickly, boredom resurfaces and the freewheeling sense of being on an adventure evades them. Should they return to the fold, or keep moving on? Their drifting logic compels them to blindly forge ahead.
In the Philippines, women get deployed abroad to work as domestic workers or nannies. In one of the many training centers dedicated to domestic work, a group of trainees are getting ready to face both homesickness and the possible abuses lying ahead during a series of role-playing exercises.
Toni, a young 24-year-old woman who is released from prison, finds herself having to return home to live with her mother Betty, with whom relations are strained. Determined to reconnect with her daughter Anna, whom Betty has raised in her absence, Toni gets a job in her uncle's brasserie nearby the port. But she soon finds herself mired once again in the smuggling shenanigans of her childhood sweetheart Max, who's the reason she first went to prison, and who's also Anna's father. Pulled in all directions, Toni must fight to break free from this toxic environment and to take up her place as a mother and free woman.
This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.
We hear the thoughts of Amy, a girl from a rural area of Senegal who works as a domestic for a well-to-do family in Dakar. She complains about her employer, who continuously criticizes her and gets on her case, and she talks about her dream of one day opening her own eatery. In Dakar, some 150,000 young women work as housekeepers for rich families to survive and help their families instead of going to school.
