Escuela Nacional de Artes Cinematográficas (ENAC)

Upon the death of his grandfather and playmate, Bruno, an 8-year-old boy, embarks on a journey in a magical world, trying to finish the unfinished story he was building with his grandfather to become a king.

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

Sound progression of two opposite landscapes.

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.

Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.

Cristian comes back to his house because he forgot his work badge. At home, he finds Fernanda, his wife, having sex with somebody else. Cristian does not dare to deal with the situation, so he wanders around the city to avoid the event and decide what to do about it.

Commander Antonio organized two armed groups and was betrayed, tortured and imprisoned in a maximum security prison, where he took his case and defended himself.

Exposition of two different processes of forensic identification in exhumed bodies with features of violence.

Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.

A young man prepares to start reading a book in the middle of the night. As he reads, he realizes that the events of the novel seem to have a strange link with reality. Unexpectedly, he will have to face the dangers of fiction invading his environment.

The work of taxonomists hides more secrets than can be perceived.

In a mix-up, Tamara, an axolotl puppet, is forced to recover her mother's necklace from the least expected place.

Gerardo returns home with a pack of dogs barking in the background on a dark night. Inside his house he will find an altar with flowers and orange lights. Now it will be the silence that will guide his steps to find out what is on that altar.

One song traces a pathway from oral poet and Mazatec shaman Maria Sabina's tradition to Mazatec rapper Xéti NdáJnio and Medicine woman Zara Monrroy, also a poet, rapper and dancer from the Comcaac Nation. Two stories of indigenous rappers struggling to sing in their mother tongue.

Raúl is seriously ill with COVID-19 in the hospital. His sisters wait at home for a call that will give them news about his state of health.

Documentary that explores the value of play and the ways we learn by playing through testimonies of mexican game developers.

Luisa and her sister Estela will play hide and seek during a particular night. They both have suffered an important loss in their family, the mourning and grief will be present inside their house all night long.

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.