Keystone Film Company

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.

A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.

Three men compete for the attentions of a pretty girl. One of them, a little tramp, plays dirty.

Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.

Mabel and her beau go to an auto race and are joined by Charlie and his friend. As Charlie's friend is attempting to enter the raceway through a hole, the friend gets stuck and a policeman shows up.

A villain, competing with his rival's race car, kidnaps the rival before the race. Mabel decides to take the wheel in his place.

When a married couple become separated in the park, a tramp sits with the lady and is beat up when her husband rejoins her. He takes a room in their hotel, and chaos ensues.

Charlie and his partner are to deliver a piano to 666 Prospect St. and repossess one from 999 Prospect St.

A painter turned tramp (Chaplin), devastated by losing the woman he was courting as a wealthy man, finds himself drunk and getting drunker by the minute with some sailors at a bar until he's literally falling down. He keeps futilely trying to draw the woman's picture on the floor with a piece of chalk until he finally passes out cold (or perhaps dies, as in the poem) at the end of the film.

Charlie and a rival vie for the favor of their landlady.

On his way to a restaurant, Ambrose, a happily married man, obliges to mail a letter for a woman in the apartment lobby. Unbeknownst to him, the letter is about a rendezvous with her own lover at their "trysting place". Elsewhere, after some domestic frustration, Charlie runs an errand to buy a baby bottle before stopping at the same restaurant. After a confrontation there, they both inadvertently leave with each other's coats. Later, their wives independently discover what appears to be incriminating evidence of extramarital affairs from the pockets of the swapped garments. It all comes to a head when all four of them find themselves at the "trysting place" in the park.

Mabel goes home after being humiliated by a masher whom her husband won't fight. The husband goes off to a bar and gets drunk.

Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.

The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.

This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.

Charlie takes care of a man in a wheelchair.

Charlie is in charge of stage props and has trouble with actors' luggage and conflicts over who gets the star's dressing room. Once all that is resolved the next issue is getting everyone on stage with the correct backdrop.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.