Keyword Visual Poetry

On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.

The kingdom of Takicardie quakes under the rule of the tyrannical King Charles V-et-III-font-VIII-et-VIII-font-XVI, whose favourite pastime is shooting birds. His archenemy is a cheeky mockingbird, whose favourite pastime is thwarting the king’s attempts to shoot birds. One night, a portrait of the king comes to life and disposes of the real king, taking his place. The portrait king falls in love with a young shepherdess in another painting and intends to marry her. But, alas, the shepherdess has fallen in love with a chimneysweep and together they elope from the king’s palace. Enraged, the king sends his police to capture them and once they are within his power he forces the shepherdess to marry him. The mockingbird must use all his guile and courage to once more thwart the king and bring his evil reign to an end.

As of his early childhood Robinson Crusoe has wanted to become a sailor. And when he does become one bad luck has it that the vessel he sails on gets shipwrecked. Being the only survivor of the catastrophe, he manages to take refuge on a desert island where he will spend several years, learning how to survive...

Peggy Robles-Alvarado is a Jerome Hill Foundation Fellow in Literature, a Latinx Playwrights Circle Fellow, and a three-time International Latino Book Award winner who authored Conversations With My Skin, and Homage To The Warrior Women. In this film by New York-based filmmaker Matt Haller, she recounts the grief and pain of losing her father, interwoven with her Puerto Rican heritage.

We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.

A piece of visual poetry that shows the world seen through the eyes of a person in a constant state of anhedonia

Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.

Andy the night watch was the cemetery gate keeper in Spoon river. He was overseeing the burial of all Spoon river residents. He was the silent observer of life in the small town, knowing everyone and their lives. He could see the good and bad, usually as they were intermixed after death. Having been given a final say following their passing, the bodies have a different story of their lies, cheating, corruption and neglect and Andy is shedding light to the underlying truth of the events.

After accidentally becoming the caretaker of a robin’s egg, I reach out to my grandmother for guidance. As we await the fate of the fragile, pale blue egg, we call from across the world to birdwatch together—a meditation on nature, nurture, and letting go.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I express my desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

A poignant love story that follows the journey of two black gay men, Male 1 and Male 2, as they navigate the complexities of their relationship against the backdrop of a beautiful beach setting. Through a series of intimate moments and flashbacks, we witness their deep connection and the challenges they face. As Male 1 grapples with his memories and emotions, he ultimately finds solace and resolution in the embrace of the ocean, symbolizing the depth of his love and the liberation of his spirit.

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

"Saṃsāra" explores the cyclicality of all life, matter and existence through the voice of consciousness. A deep reflection in the context of isolation originated by the pandemic, focused on how to overcome pain, accept reality and let go from the past in order to inhabit the present moment by constant introspection. There where memories blend with dreams.

A movie that provokes reflection on the nature of reality and the veracity of our relationships and experiences. On questions of what is real and what is merely an illusion, the magic of the film's journey through different levels of consciousness, full of mysterious corners and strange memories, is revealed. The borders between dream and reality blur, creating an extraordinary story about feelings and the condition of human existence.

“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.

Through meticulous cut-up, collaging and stop motion, Nico Vassilakis makes words dance across the screen, moving our eyes in all different directions. This video poem is dynamic and colourful, and brings into question what happens when we 'see' a word - where do we distinguish between the image a word forms in our minds, and the image it forms on a page or screen?

A film-poem created for Counterclock Journal's 2023 Patchwork: Film x Poetry fellowship, featuring an original poem by Mackenzie Duan and animation by Evan Bode.

This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.