Dance of the Forty One 2020
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.
Dramatization of a popular '70s corrido.
Two young women are about to receive the great honor of being sacrificed to their Mexica gods; but the cruel and bloody ritual does not go as expected.
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
La India María must find at all costs in the recesses of a mountain the Magic Black Mirror of Tezcatlipoca, since the spirit of his great-grandfather Moctezuma II ordered her to find it in to prevent the destruction of Mexico. Alonso, a handsome Spanish archaeologist, Bianchi, an antiquities dealer and Brigida Troncoso - an ambitious governor, are aware of the existence of such mirror, of the mysterious treasure of Moctezuma and of María, so all undertake a frantic chase after her to seize the magic glass and the gold.
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
This Passing Parade series short chronicles the political life of Francisco Madero, who tried to bring democracy and land reform to Mexico.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Apart from being a feast for the senses and meeting places for noisy human swarms in search of all kinds of merchandise, the markets contain stories and characters that give them unique characters. This documentary series proposes a journey through thirteen of the most representative of Mexico City to get to know them from within.