In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins.
Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.
Kari and Onia meet in Cannes, experiencing love at first sight. Upon returning to Sakartvelo, they are quarantined in different hotels in the midst of the COVID-19 pandemic. They stay in touch via phone calls and video chat. Kari teaches Onia Caucasian Yoga breath training and they travel in past to meet a variety of Georgian historical figures during their important life events, in order to understand the wisdom and limits of love.
Gia is a carefree young percussionist who works at a theater in Tbilisi, capital of Georgia. He lives in a small apartment with his mother. Gia spends his days flitting from friend to friend, lover to lover, avoiding any responsibility, and never staying still for five minutes. However, he always manages to arrive at the theater just in time to play the drums at the end of the ballet.
A dead hen becomes a problem between two neighbor families in Ajara (west Georgia). That leads to drama; a young guy is killed in the next quarrel.
This musical is based on old Georgian vaudevilles and plays. The early 20th century. Old Tiflis is in confusion and turmoil. A mysterious fairy is helping the poor Pavle’s family: real wood is burning in his old, neglected fireplace, wherein a pot with meat would suddenly appear. The good fairy is impersonated by laundress Vardo who helps not only the poor Pavle, but other families in this quarter as well. Vardo is known to many people in the town, but no one ever suspected that she was capable of performing miracles. The film’s colorful folk melodies, merry songs and fiery dances leave no viewer indifferent. Starring in the leading role is the great Georgian actress Sofiko Chiaureli.
Mzia’s classmates have decided to stay in their village and work at the Sovkhoz after graduation. But Mzia’s mother wants her to go to Tbilisi to become a student.
An intimate documentary about a trans woman's isolation and decision to leave her home country of Azerbaijan in pursuit of a safer life. Using the metaphor of a rabbit, that comes from her nickname "bunny," she presents her relationship with her family, country, music, and protest, intercut with home videos.
In Georgia, two stranded Nigerians, Obinna and Afame, navigate the sleeping city of Tbilisi after a long night out. However, as day breaks the true colors of their ambiguous affection begin to show. In this way, they find solace despite their hostile environment.
"Free Spaces" sketches a new and transformative image of four major cities in Eastern Europe. In te post-communist urban settings of Tbilisi (Georgia), Yerevan (Armenia), Chișinău (Moldova) and Kiev (Ukraine), Ina Ivanceanu follows artists and activists as they reclaim public spaces and assert their freedom of expression. Occupying a cinema, reviving an old Soviet circus, converting a grim metro passage into a glamorous arena, and repurposing a defunct factory building into a cultural agora. By seizing and creatively transforming public spaces characterized by an abondoned past, today's new generation explores democratic means and freedom while also confronting pervasive neoliberal structures in their respective societies.
Since the full-scale invasion of Ukraine, many in Russia's DIY punk scene fled to Tbilisi, Georgia. Mobilization only exacerbated that trend. This documentary follows the stories of some of those punks but also explores the complicated socio-economic effects they have on the city. The film is about the potential for punk and other similar subcultures to make connections even across otherwise tense political borders.
