On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.
There is a man and a woman in a car. They inadvertently become tense due to the hijab of the woman's hair. In fact, if the woman's hair is seen, they will be caught by police cameras in the streets. The man constantly tells the woman to bring her scarf forward and keep the hijab so that his car is not confiscated by the police, And this is the beginning of the story...
The year is 2004. France has passed a law banning religious symbols in public schools. Mariam, born in France to Arab parents, recently began to wear the hijab after performing the hajj with her grandmother. At the start of the academic year, she pretends the new law does not exist, as she does not want to acknowledge it and so be forced to make a decision. To complicate matters, Karim, a popular young Arab boy in school, starts paying attention to her and she develops a powerful crush on him. While her fellow veiled classmates argue with teachers about their desire to keep wearing the hijab, and her parents argue about her wearing hers, Mariam dreams of Karim, despite her best friend Sophia’s warning that he is not serious. Things come to a head when the deadline for removing the hijab or facing expulsion falls the same week Mariam sees Karim with another girl.
Debbie, a working class single mother from Leeds, moves her family to Bradford, where they find themselves in an ethnic minority. Daughter Leah must adapt to being the only white girl at school.
Fatiya agrees to replace her cousin at a babysitting gig. When she meets the mother of the young boy she is supposed to look after, prejudice and racism cause the afternoon to take a turn.
Irritated by Catholicism, Linda, an American-based, Blonde Caucasian, falls in love with Qater-based Ali Al-Saigel, adopts the Islamic faith, and gets married. She follows her new faith to the letter, and subsequently gives birth to seven children (four daughters and three sons), brings them up according to true Islamic dictum's, and reflects on her 20-year married life, her children, as well as her reaction when her husband indicates that he wants to re-marry.
Izza has to wear hijab to fit in with her friends during Islamic Education class, but her lack of confidence and her boyfriend stand in her way.
The documentary, " Death and the Judge", revolves around Iran's most famous criminal judge, Azizmohammadi. He served as a criminal judge for 45 years and issued about 4500 death sentences; a record in not only Iran, but also the world. This documentary looks into his personal and professional life as he is followed within his home with his family, in the court of law, and in his retirement days. The ultimate purpose of the documentary is to deduce the role of death in the judge's life as he either takes life away from criminals or death comes to his loved ones. During his retirement, he is once again given the choice between the life and death of a person, despite no longer being a judge.
Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.
An anarchic, laugh-out-loud music comedy following a Muslim female punk band called Lady Parts, tracking the highs and lows of the band members as seen through the eyes of Amina Hussein — a geeky doctorate student who is recruited to be their unlikely lead guitarist.
