The story of Sanshiro, a strong stubborn youth, who travels into the city in order to learn Jujutsu. However, upon his arrival he discovers a new form of self-defence: Judo. The main character is based on Shiro Saigo, a legendary judoka.
At the beginning of the Meiji era, three brothers of a samurai family each stand up to the times.
A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.
Ravana, while dancing with animals, kidnaps Sita from Rama, and returns to Lanka to hide as Lankapura burns.
The Opium War is a 1943 black-and-white Japanese film directed by Masahiro Makino. "Ahen senso" in Japan refers to the First Opium War. The story of the film concerns this war.
A 1943 film.
Japanese Navy air cadets train for the attacks on Pearl Harbor and the HMS Prince of Wales.
The premature death of a young mother serves as inspiration for her husband and son.
Based on an autobiographical story by Toyota Masako.
Set in wartime at the Yawata Steel Works in Tobata, Yawata, and Kokura cities in Fukuoka Prefecture, the film depicts people taking on the evil blast furnaces that prevent increased production. The film was shot on location at the actual Yawata Steel Works for an extended period of time, and special effects were created using a miniature blast furnace that closely reproduces the actual one.
The film was produced during Second Sino-Japanese War, before the Pearl Harbor Attack in 1941. The film mainly concerns the training of newly-recruited pilots and their daily life, then their subsequent fighting experiences in China. Army supported the production, providing all the authentic airplanes, training and actual actions. They even provided the older biplanes disguised as Chinese fighter planes. Obinata plays the trainer-turned-combat-leader, who is passionate and cool at the same time. All his boys love him, of course. The film is not as intense, full of sugar-coated camaraderie, until young pilots are killed in action one by one. Last twenty minutes are fairly grim, as the message of self-sacrifice is heard loud and clear.
A 1942 Jidaigeki by the veteran jidaigeki filmmaker Kunio Watanabe about the legendary warrior Musashibo Benkei with Hideko Takamine portraying Minamoto no Yoshitsune (who is, of course, a man). The film climaxes in the famous encounter/fight btw Benkei and Yoshitsune at the Gojo Bridge.
At the residence of a feudal lord in a mountain province, a young lord, accompanied by his vassals and courtiers, listens to the rokyoku singer Toraizo at a leisurely pace. The title of the play is "Notes of Lord Mito's Travels. This play caused great turmoil in the feudal lord's house. The young lord was more impressed than anyone else by Lord Mito's benevolent management and actions, but he made the mistake of trying to follow in his footsteps...
Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.
A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.
1942 adaptation of Izumi Kyoka's novel.
