Yoshimoto Kogyo

The story is about a young boy named Lubicchi and a trashman named Poupelle who meet on a Halloween night in a city that is full of tall chimneys. The chimneys pour out black smoke and the true sky cannot be seen.

Nikuko is a brash, jolly, scattered, and passionate woman in an otherwise sleepy seaside town in northern Japan. She’s also the single mother of 11-year-old Kikuko, who is her opposite in many ways. Kikuko is a string-bean of a young girl, pensive, quietly curious, and methodical in how she approaches life in this small harbor town. Nikuko embarrasses Kikuko as any mom of a preteen would, but Nikuko’s bold spirit makes her especially well-known in a town where Kikuko herself wants nothing more than to simply blend in. As Kikuko navigates the everyday social dramas of middle school, enhanced with touches of magical realism from her ever-present imagination, a shocking revelation from the past threatens to uproot the pair’s tender relationship.

Daisato, a second-rate, third-generation superhero, annoys his neighbors with the noise and destruction he causes on the job. But a heroic public image is the least of his concerns. Besides defending Japan from bizarre monsters, he must deal with an agent seeking to brand him with ads, a superhero grandfather with Alzheimer's and a family embarrassed by his incompetence.

Reconstruction of the television anime that will also depict what happens after its finale with a new story written by Kazuya Konomoto.

The director of a theatre company is in crisis and his actors have lost confidence in him. One day he meets a woman wearing the same shoes as him, immediately sparking chemistry between the two.

A Japanese man in polka-dot pajamas wakes up in a room with no doors. Meanwhile, a middle-aged Mexican wrestler prepares for his most challenging match ever.

Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

Yuria discovered the pleasure of tying herself up in her university days, and resumes the pursuit in order to relieve work stress. She starts a blog to describe the sensation of rope on her skin, and becomes acquainted with a cross-dressing bondage aficionado. Eventually, she grows bolder in practicing her hobby, and begins to wear bindings under her suit while at work.

Feudal lord Takuminokami Asano has been led to kill himself due to a scheme by Kozukenosuke Kira. Having no time to mourn his death, samurai Kuranosuke Oishi decides to take revenge on Kira, planning an attack with the help of accountant Chosuke Yato… but they don't have enough in their budget.

Yasuko Matsuyuki heads the cast of this drama about a 40-something woman who is happy with her single life but nevertheless starts dating a man who is 24 years her junior.

Tatsuya Iguchi, a legendary delinquent feared as the "Mad Dog of Komae," is released from juvenile detention. He starts a new life working at a yakiniku (grilled meat) restaurant called "Sanrui," located far away from his hometown, under the care of his uncle and aunt. However, Tatsuya is under probation, and if he gets into another fight, he's out. In front of him appears Kaname Abe, the vice leader of the biker gang "Zanjin Kirihito." This encounter marks the beginning of Tatsuya's intense journey toward rehabilitation. As he faces gang conflicts, forms new friendships and bonds with his newfound companions and family, the path Tatsuya must take to protect what's important to him unfolds.

Dives deep into the tragicomic world of the"towns-people" stand-ins working at Warp Station Edo, a popular shooting location for samurai dramas, through a piercing study of a 63-year-old extra. Utilizing mockumentary stylings, this ambitious film forms a compelling commentary on the aspirations that shape film production and the feelings that a simple, ho-hum life can evoke.

"Drop" tells the story of a boy named Hiroshi Shinanogawa, who grew up in the 1980s. He became inspired by the Be-Bop High School manga and decided to become a delinquent. Hiroshi dropped out of a private middle school and transferred to a public school There he joins up with a delinquent gang.

Young Wakana is the daughter of a husband and wife comedy act, who have worked together for 20 years without any big success. Wakana’s parents quarrel constantly, and her mother often threatens to leave. When one day her father disappears, Wakana sets out to find him.

Kanjuro Nomi is an aging samurai who only has a scabbard. Deserting his lord to wander the land with his daughter Tae, Kanjuro is captured and sentenced to an unusual punishment: he has 30 days to bring a smile to the sad prince who has lost his mother — or else he must die.

A boy meeting his girlfriend's father for the first time. Visiting a hospitalized high school classmate. The last drink between a failed entertainer and his manager. Combat that ends up in a rap battle. A conversation between sisters at their mother's funeral. An encounter between two random time travelers.

Veteran director Nakajima Sadao examines the appeal, background, context and transition of chambara, or period sword-fighting and samurai films, in Kyoto. Not only interviews with actors, choreographers and critiques are included, but the director orchestrates an original chambara scene for the documentary.

Periods are depicted as pink, heart-shaped sentient beings that harass women on a monthly basis, delivering awful gut punches, but also offering a shoulder to cry on.