Santera 1994
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
The true story of a jealous policeman and his young wife living in a shanty-town in South America.
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
In a coastal town with no name and desolated by poverty, the sea suddenly begins to exhale a scent of roses that transforms the lives of all the villagers.
The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.