Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.
Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.
This captivating documentary follows tough-as-nails lawyer (and former Mrs. Wisconsin) Kimberley Motley, the only American allowed to practice law in Afghanistan. Motley defends US and European citizens caught in the country’s legal and political quagmire, even as she finds herself under threat of assassination. While Motley brazenly chastises Afghani judges on behalf of her clients, she must also balance the needs of her family a world away.
This documentary picks up after the horror has ended. Almost 500 teens are in grief as 69 of their friends have fallen. They've been shot dead. How could this island ever become a safe place again? Here, we see how Utøya was first the safest place on Earth to the most terrible and how it was restored and stands as a beacon of hope for the survivors and the Norwegian people.
Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.
26 people live in the Belgian city of Doel, and they have no plans of moving anywhere. Even if everyone else is busy telling them how hopeless their beloved ghost town is. Vandalised, dilapidated and an ironic destination for urban explorers, car nerds and Dutch techno ravers. Doel is squeezed between an industrial port and a nuclear power station, and since the 1960s the government has regularly tried to raze it to the ground to make space for a container park in the name of globalisation. The school, the shops and even the church have closed, and most houses have either been torn down or abandoned. But the last inhabitants are not giving up. Young as well as old agree to defend Doel to the very end.
A touching and humorous tale of gender roles and two people’s struggle to fulfil their dream of having a child – with the director herself in the female lead.
The issue of young Muslims traveling from Europe to countries such as Syria and Somalia to fight with Islamic rebels is a highly topical one, making this story of a Danish-Somalian boy even more relevant. His back turned to the camera as he looks out over a nondescript housing development in Copenhagen, “The Shadow” describes how he fell victim to recruiters from the militant Somalian rebel group al-Shabaab. He outlines the conditions that make boys such as him susceptible to the lure of the “holy war,” explaining that, “Nothing in my life made any sense.” So eloquent is he in his account that one might think it was scripted, but what happened to him is as real as the scenes from a suicide attack by one of his former friends.
In Bellum, modern warfare and the development of AI are connecting three seemingly disparate locations and lives; a scientist in Sweden, a private military contractor in the Nevada desert in the USA and a world renowned war photographer in Afghanistan. Through their actions and decisions, the film delves into the jargons and logics that pushes warfare forward. It’s often said that war is inhumane. But in this film, this assumption is turned upside down. Because in fact it seems there is nothing more human than war. Humanity has always been at war, often over abstract ideas such as nationality, borders, religion, money or freedom and this is something that in fact distinguishes us from all other animals on this planet. Perhaps the Greco-Roman world was right that war was a demon; Bellum. And, that the war actually feeds itself: “Bellum se ipsum alet”.
For the first time in history, a former child soldier is being indicted at the International Criminal Court in The Hague (ICC). The Film follows his defence team at the ICC and in Uganda, as they gather evidence, materials, and witnesses.
Formed by 30 years of home videos, more than 75,000 photographs, and a 1,600-km Arctic Circle road trip, a self-portrait of the men in the filmmaker's family and the devastating tragedy that led to the distance between them.
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
Jeannette Ehlers is an artist and all of her art is centered around questions concerning structural racism. As the 100-year commemoration of the end of slavery in Denmark approaches, Jeannette decides to erect a monument - a huge statue of the female rebel leader Queen Mary, who was one of the main forces behind Denmark's first rebellion by enslaved people.
Armed with skulls, black makeup, wild outfits and high mohawks, this gothic trinity fights to gain control of and thus free themselves from their loneliness and inner demons as well as pressure from authorities, which they feel disturbed and controlled by. But one day, Josephine meets the beautiful guy, Jan, on Instagram and falls head over heels in love with him and the precious trio friendship is put to the test.
The Academy for Untamed Creativity (AFUK) is a production school and an alternative to traditional Danish high schools, where the core values are 'You should dare to be different' and 'You can do so much more than you think'. From the very first day of school and over the course of an entire school year, we follow four young students at AFUK's artiste programme. Four youths, who each in their own way don't feel that they fit into a regular academic high school. We join Mads, Oliver, Zanya and Andy from the first nervous moments to when they stand proud and brave with newly found physical and mental strength in front of a large audience for the school's closing performance Festivitas.
Young, cancer-stricken and with a will to fight for her life. A raw and touching film about a highly unusual teenage girl in today's Copenhagen.
You Are Still Somebody's Someone is a documentary from a daughter to her father. A film on the blurry paths of memory and the love for the person behind the diagnosis.
