While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."
Celeste García, a 60-year-old former schoolteacher and current guide at the Havana Planetarium, is looking for a life change. When a group of aliens land in Cuba offering earthlings a chance to visit their planet, Celeste signs up for the journey hoping for a better and more fulfilling life.
With the closure of the sugar mill, the little town of Molasses is devastated, lifeless. Aldo and Monica form a young married couple that do not find a way to survive. By supporting each other, they try to save their world without loosing their faith.
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.
Two pensioners, a video camera and an indecent proposal.
Santa, a peasant woman loyal to the Revolution, is sent to guard Andrés, a gay writer who is under house arrest, considered “ untrustworthy” for his ideas and sexuality by the Cuban authorities. Set in a small village in eastern Cuba during the early 1980s, this poignant political drama depicts an encounter between two deeply thoughtful souls on opposite sides of a profound cultural divide. Both have experienced deep loss, and both know the damaging effects of isolation and oppression. Even so, the cavernous ideological divide separating them — the same one that has separated Cuban friends and kin for over 50 years — has until now seemed insurmountable.
In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.
An intimate and revealing autoethnographic documentary about uprootedness, motherhood, love of film, friendship and freedom. Two filmmakers who have been best friends since childhood, both part of the Cuban diaspora, share their intimate and emotional journey while they try to find themselves and each other in a foreign land.
