A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.
A chemist carries out a bizarre experiment with his own head.
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
In 1901 people in Belfast paid their tram drivers in carrots.
A scene from Charles Dickens' Bleak House.
President McKinley taking the Oath.
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.
Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.
Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor.
A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect and diversified views of the Transportation Building, Mexican Plaza, the Stadium and the north side of the Electric Tower. (Edison Catalog, 1902)
A convicted criminal dreams about his past the night before his execution.
Cavalry and foot-soldiers escort President McKinley.
Silent film
At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)
A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs.
A magician does tricks with the aid of his assistant, the Human Pump.
