Kazakhfilm Studios

This is the story of the life of the great queen of the steppe - legendary Tomiris. She is destined to become a skillful warrior, survive the loss of close people and unite the Scythian/Saka tribes under her authority.

A highly skilled bodyguard avenging his brother's untimely death uncovers a ring of corruption extending to the highest levels of society and government.

The Nomad is a historical epic set in 18th-century Kazakhstan. The film is a fictionalised account of the youth and coming-of-age of Ablai Khan, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders.

The Inguri River forms a natural border dividing Georgia from Abkhazia. One of the spring floods has created a little island in the middle of the river, as if made for the cultivation of corn. At least, this is the belief of an old peasant, whose sunburned face resembles the landscape he has trodden for dozens of years.

Tolla is an unemployed translator whose wife is leaving him. Despondent and weak, he submits to the suggestion of an acquaintance to have a contract placed on the man that his wife is seeing. Instead, however, he arranges for the hit to be placed on himself. Before the contract is executed, he develops a relationship with a prostitute, and then changes his mind. In order to survive he takes the obvious course of action, which turns out to have possibly been unnecessary, and then he must deal with the guilt.

XV century. In the vast expanses of Eurasia, the descendants of Genghis Khan create their own state. The promised land of Kazakh Khanate is resisting its enemies..

Fifteen year old Mustafa has a nickname Schizo. He is hired by his mother’s boyfriend to find fighters for illegal fistfights. His life is changed forever when a young man mortally beaten in one of the fights asks Schizo to deliver his prize money to his girlfriend and young son. Schizo takes the money to the woman as promised and falls in love with her. Now he knows for whom he has to make money, no matter what the cost. In fistfights there are no rules… until blood is spilled!

A universal story about the freedom of the human spirit and the struggle against slavery and despotism, about love, loss and betrayal. It is seen through the eyes of simple Kazakh kids and teenagers.

Set in the 15th century, the story follows the formation of the Kazakh state after the death of Genghis Khan and the usurpation of power by one of Khan's descendants, leading the sultans Kerei and Janibek to resort to some nomadic tribes to remove the usurper, hoping for a better life and freedom.

Sailor Marat carries a great burden. His whole village condemns him since his wife and many fishermen were washed off his boat in a mysterious sea storm. Ever since then the sea has vanished. One day, Marat returns to his village, obsessed by the idea of making the sea return and so the dead. He begins rebuilding his shipwreck in the middle of the desert, dragging it towards the endless horizon. Only his last close friend Balthasar, and Tamara, the sister of Marat's deceased wife, believe in him. Tamara, deeply in love with Marat, who repulses her, knows from a fortune teller that maybe not her dream but his might come true. One morning Marat wakes up by the sound of water - the sea has returned, ready to take what belongs to her...

A Jewish child deported to Kazakhstan is saved and adopted by Kasym, an old Kazakh railway-man. Kasym gives him a Kazakh name, Sabyr, that in Kazakh language means humble. The child grows up in the small Kazakh village along with other deportees Vera, a traitor's wife, and Ezhik a Polish doctor. The Soviet militia harasses the poor peasants and Vera suffered the harassment of a bully cop: Bulgabi. Finally Vera accepts the marriage proposal of Ezhik but the jealous Bulgabi tries to prevent the marriage. The result is a fight in which Ezhik shoots himself accidentally. The old Kasym decides that Sabyr is now old enough to go to seek his real parents. At the end Sabyr, now an adult, decides to return to the village, but the village no longer exists because it was destroyed by a Soviet nuclear test.

An English correspondent arrives in Astana to interview the named Leader of the Nation Nazarbayev. Nazarbayev is hosting an English guest. The interview turns into Nazarbayev's story about life, fate and the difficult path of gaining independence. The President introduces the writer to local customs, at the same time telling about the most difficult periods of his life, from his appointment in 1984 as chairman of the Council of Ministers to becoming President of the Republic of Kazakhstan in 1991.

Ex-con Kermek and his beloved Eva want to leave their crime-infested lives on the Kazakh steppes behind. He has a dream: building a movie theater in the mountains. Will Kermek's love of Alain Delon be strong enough to keep them out of the violent clutches of the mafia?

The Kazakh village Karatas has long been subjugated by a criminal boss called Poshaev. He provides housing and jobs for the locals but will ruthlessly execute anyone who dares to oppose him. This is the lesson the pauper Arzu is about to learn first-hand—his wife Karina has informed the police about the crimes that are taking place there. Arzu is a cripple; now he must raise his little daughter alone. He is so helpless and grief-stricken that he doesn’t even seem to be contemplating revenge. Poshaev takes him under his wing and offers him the position of a guard at a building site. Soon Arzu has a chance to prove his loyalty, and he becomes Poshaev’s right hand. But where do Arzu’s real loyalties lie—with his boss or with the idea of justice?

The action of this story begins in the near future. The great device codenamed as the “Phantom” is invented by the Global Security Corporation in order to eliminate the crime and to establish a secure global community. But, it is not how it really is. The reverse side of the “Phantom” is to establish an absolute control over people’s minds. The Corporation aims to change the course of the history, by gaining the community of obedient “puppets”, who would never realize that their minds are being controlled. Step by step, the “Phantom” fractures people’s lives, but nobody suspects anything, until it destroys the lives of in-love couple- Timur and Keira. She is convicted of murder, and he needs to break the law to save her. An American criminal hacker named Zach helps Timur to find the truth, and to uncover the Corporation’s conspiracy.

During a medical examination, 13-year-old Aslan is humiliated in front of a load of his fellow pupils. The incident unleashes his latent personality disorder. Plagued by self-doubt, he strives for cleanliness and perfection and is obsessed with trying to control everything around him. His compulsion draws Aslan, who lives with his grandmother in a village in Kazakhstan, into increasingly difficult situations. He abhors the way most of his fellow pupils are held in the sway of a criminal scheme, in which Bolat, one of Aslan’s tormentors, is also involved. Bolat blackmails the younger children into paying him protection money; he has nothing but contempt for ostracised Aslan.

An affair which starts as a bet between a three girls suddenly become a big love story...

Remix of the 1988 cult movie "The Needle": Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the mafia kingpin who is exploiting Dina.

Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival.

When the Soviets impose new ways of collective farming and permanent settlements on a region of nomadic dwellers, young Ilyas is separated from his mother, Mariam. Through decades of war, mother and son persevere in their efforts to be reunited.