The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.
Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.
Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.
The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.
Asuka, a woman in her thirties, works in a lakeside fish factory. She’s about to be married to her boss, Taki. But one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned to death when they were 17.
A girl named Ai gets a major record deal to sing a song written by a friend of hers who is deceased. However an obsessed stalker fan slowly starts becoming more like her and tearing her world apart.
Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!
Pink film from 1985
A lonely housewife begins an affair with a man in her tenement building.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
A pale-looking man, Kazuhiko, is being questioned by the police following the extremely bloody murder of a young woman. He begins his story with the day that two sisters, Akiko and Mayuko, moved into the house across from his. After helping the pair move in, he starts talking with the younger sister, and soon they become intimate. The relationship continues for a while, but one day the sisters suddenly pack up and disappear, but not before sharing their secret with Kazuhiko. What kind of secret could have caused him to commit such a murder? Or did he?
Pinku from 1970.
A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.
The films plot hinges on a bizarre love triangle involving a loser ventriloquist, his assistant & a blind woman - Hikari is blindly (literally) in love with Daisuke, a failing ventriloquist yet when she finally musters up enough courage to meet him face to face and present him with some flowers backstage she mistakes his assistant for him. For some reason Daisuke and his assistant decide to follow through with the mistaken identity farce which leads to some amusing complications, particularly in the bedroom.
Kazumi has a cram school that is in financial difficulties, and she sneaks into a franchise contract company as a thief.
A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.
15 women returning from a meeting see a pregnant woman being raped by three men. They simply walk away. The woman loses her unborn infant and commits suicide. Her fiance finds out their identity and plots vengeance.
Akemi works part time to support herself and her lazy husband. One day she meets an old friend and the friend's husband. She becomes aggravated during their conversation when the couple suggest that Akemi's husband's irresponsible behavior is justifiable. As her frustration increases, she meets a woman who encourages her to experiment sexually, which in turn leads Akemi to a labyrinth world of sex and swapping.
A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.
