Jier 1899

A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

A devil wearing bat-like wings and brandishing a trident dances around a giant pot, conjuring forth flame from his trident to lit a fire beneath the pot. After the devil works the fire with bellows, an angelic woman emerges from the pot. The devil and the pot vanish as the woman performs a dance, waving about her diaphanous sleeves until she conjures forth another fire, then she rises amongst the smoke into the air.

A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into pandemonium.

Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great.

A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. Next, he transforms the gentlemen into fancy ladies.

Rowdy patrons visit an Old West saloon.

A bearded man hangs up a wreath and, like any good magician, waves his hands inside of it and under it to show us it's only a wreath…

"An interesting exhibit by Hadji Cheriff, of the original Midway Plaisance. Twirls his rifle over his shoulder, behind back, under leg, both hands and one hand."

Within a printing (printing a test).

A reenactment of a scene inside Devil's Island prison.

The first movie ever censored for political reasons. The title refers to the then contemporaneous Dreyfus affair in which a Jewish military officer was falsely convicted of treason, and it was alleged that he was framed due to anti-semitism.

A knight performs several magic tricks with a disembodied head materialized from a chalkboard drawing.

This picture ... centers about some guard ropes moving about, perhaps in the wind, perhaps as the platform the movie is taken from rolls about, while in the background, a procession of ships goes by.

Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional.

[DUPLICATE of the other 'Panoramic View of Frere Camp']

Sardinian horsemen parading, in traditional costumes.

Film shot from a ship at sea.