Leningrad Television

Chronicle dramatic scenes of Germany under the rule of fascism.

On the legal and moral education of youth.

A young cashier of one of the enterprises with a large sum of money disappears. A group of employees of the Criminal Investigation Department is involved in the work.

Based on the play of the same name by Sergei Naydenov.

Performance based on the novel of the same name by Yuri Olesha with the participation of actors from the Leningrad Bolshoi Drama Theater of M. Gorky.

Young graduate student Anna Ivankevich arrives in her native village, where she has not been for about 20 years. Here, in the rural silence of her aunt’s house, she is going to write her dissertation. Suddenly, two strange strangers unexpectedly appear in the house, whom Anna initially mistakes for thieves. They claim that the owner of this house yesterday rented it to them for two weeks, and for greater persuasiveness they hand over a letter in which Anya’s mother confirms this and also asks her to live with their neighbor, grandfather Gennady. This all looks very strange... And then the fantasy begins - it soon turns out that they are guests from the future, and chose this house as an intermediate station.

A teleplay about the life and work of the first chairman of the All-Russian Central Executive Committee, Yakov Mikhailovich Sverdlov.

A crime has been committed. The worst thing is murder... Who is the culprit? What are the motives for the crime? These and many related questions face police colonel Drobyshev and senior lieutenant Samarin. During the investigation, they encounter young people whose spiritual poverty is terrible in its moral consequences.

The first and second chapters of "Eugene Onegin" performed by Sergei Yursky.

The story of the investigation into the death of student Selivanova, who was involved in currency transactions, which was a big crime at that time.

A tired, naive librarian in her fourties, has experienced hard labor, chores, and failed love. Her brittle voice and childish naiveness add to her defenselessness. Despite her stubbornness, she maintains a strong spirit that helps her stay true to herself.

Tractor driver Pronka Lagutin comes to the city. Meeting the director's assistant unexpectedly turns into an invitation to him to play the role of a rural guy who moves to the city. Pronka rehearses with pleasure, but realizing that staying means never seeing her native village again, she runs away from the director.

In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."

Follows the persistent, but not always noticeable battle for the moral foundations of the individual, for the future of young people.

Based on the stories of V. Kataev "The Diary of a Bitter Drunkard", "Fur Coat" and "Pearl".

It consists of Konstantin Georgievich Paustovsky's three short stories about the origin of feelings, the expectation of happiness and love...