Black Hair

Black Hair 1964

5.30

Yeon-shil is the lover of crime boss Dong-il. She pays off one of the boss's henchmen, Man-ho, with whom she once had an affair; Man-ho is an opium addict, and he has been blackmailing Yeon-shil by threatening to disclose their past relations.

1964

Buddha

Buddha 1964

1

A prince in India learns that his birth was responsible for his mother's death. He makes up his mind to relieve the suffering of his people and begins studying to become a Buddhist priest

1964

Femme Fatale, Jang Hee Bin

Femme Fatale, Jang Hee Bin 1968

9.00

King Sukjong assigns Jang Ok-nan, a court lady, as a concubine overnight. Jang plots to drive the current Queen into exile.

1968

A Neckless Beauty

A Neckless Beauty 1966

6.50

Right after Korea's liberation, O Yun accidently finds out through Choe Sang-bae about a large amount of gold nuggets Japanese soldiers left behind, O kills many of his colleagues to take all the gold to himself. In the end, a neckless beauty among the dead shows up and takes her revenge on him.

1966

Independence Night

Independence Night 1948

4.30

Park, Ohn - Ran (Kim Shin - jae) has been watching the surroundings of the pawn shop owner Min - ga, who is the enemy who killed his father with Song (Choi Dong - san) for five years. The private house tries to rape her daughter who does not recognize her daughter Sunhee to leave the ring. Young-gil (Choi In-gyu) goes in front of the pawn shop and saves Sun-hee and the two hide in a nearby warehouse. Sunhee left after the mother who was driven by the private house and came back from liberation. Song binds Sunhee and Kyungil, but Olan releases her, saying that the house is the enemy and not the daughter. And after hearing the conversation between the two, he finds that he is his younger brother.

1948

Descendants of Cain

Descendants of Cain 1968

5.00

Shortly after Korea gained independence from Japan (1945), North Koreans decide to extort civilians' property in the name of revolutionalizing its land and settle class struggles for proletariats. The film depicts an anti North-Korean concept, detailing the country's situation after the independence. South Korea's submission for the Academy Award for Best Foreign Language Film in 1968.

1968

Trees Stand on Slope

Trees Stand on Slope 1968

1

A man's jealousy of his friend's pure love for his girlfriend makes his friend sleep with a prostitute. But the friend agonizes over the depraved conduct and at last kills himself. He also feels guilty of his friend's death. However one day he meets the dead friend's girlfriend, and meeting her makes him convinced that it is not he, but she who leads the friend to death. He violates her chastity, kills a man who beat the friend before he died and turns himself to the police.

1968

Break Up The Chain

Break Up The Chain 1971

8.00

Cheol-Su, an assassin disguised as a patriot, Tae-Ho, a gangster, and Dal-Gun, a spy, are kind of people who can turn their backs from each other for the sake of their own interests. Now they are cooperating to find a golden Buddhist statue. They gets to think about the nation's wellbeing during their search for the statue, and decide to fight for their mother land, returning the statue to Lance.

1971

School Excursion

School Excursion 1969

1

A school teacher on a remote island has to convince skeptical parents to allow him to take his class of young children to Seoul to experience modern, urban civilization for the first time.

1969

Herb of Desire

Herb of Desire 1968

1

Two traditional stories. In the first, a girl marries the bravest man in the village so she can send him into a monster's lair to collect an mystic herb which can save her father's life. In the second story, even death cannot prevent a devoted wife from helping in her husband's success.

1968

Guests Who Arrived by the Last Train

Guests Who Arrived by the Last Train 1967

5.00

This film concentrates on a group of people who have trouble adjusting to mainstream society. From a woman running away from her previous life, to a man with a terminal disease, to a pop artist misunderstood by his contemporaries, the film looks on with sympathy and compassionate humor on a set of people who, for whatever reason, just don’t fit in.

1967