محبوب از جانب Tajikistan

In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...

Twenty-year-old Kamal has been married for a few months but his wife is still a virgin. Learning that there is nothing physically wrong with him after visiting a doctor, Kamal sets off to town to search for another woman. The city is full of them but Kamal is still unable to meet anyone, until a chance encounter on a bus. But it looks as if this accidental meeting will take Kamal much farther than he was prepared to go… By the director of ‘Angel on the Right’. —Celluloid Dreams

Anora, a Tajik teenage girl, experiences the coming of age. Due to the ambiguity related to her absent father, the closed borders caused by the pandemic, and the fear of uncertainty, Anora has to grow up in the course of a night.

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

Tajikistan on the eve of the declaration of its Independence. Komsomol, KGB, bread deficiency, inflation. Kahhor and Mannon, the two old friends, are tested when one of them gets the lucky lottery ticket as his salary.

A simple fable about a teacher's quest for justice. The teacher's neighbor not only ogles his wife, but builds an outdoor toilet right beside the teacher's house. When he is refused any legal recourse, the teacher decides to get revenge by building a latrine for the entire village outside his neighbor's house.

From the shadows of the majestic Pamir Mountains of Tajikistan comes a story of Azam, a shepherd and Buzkashi champion, who faces the pressures of modernization in the sport and in his own personal life. Azam plays as an individual for honor and integrity, but his success is increasingly thwarted by organized alliances, or "mafias", encouraged by his rival Khurshed, a member of Tajikistan's nouveau riche. Khurshed believes that team play is the future of the sport. Between challenges on the field and within his own family, Azam tries to find a place for himself in the new Tajikistan. Written by Najeeb Mirza

The film tells about human loneliness. At times, overcoming obstacles and destructing something, we build a comfortable world for ourselves. Later, after some time we realize that we are alone in the world that we have built. But there is no way back, and losing a beloved person, we lose the whole world. “Never receive such telegrams!”

Story of a Tajik cart driver.

An unknown woman who happens to be an Alter Ego of the film director starts a journey in Tajikistan countryside. The film she makes on the way touches upon the topics of existence, image, and traditional culture.

Lola's father leaves according to old traditions and tries to keep the reputation of his daughter unstained while local arts club director pressures her to sing at the annual youth festival.

A successful and truthful journalist, after publishing his next article, finds himself under pressure and facing threats. At the suggestion of his friend and colleague, they go to the village for a week to calm their nerves and relax. The same night they leave for the village, the young bride commits suicide. Village residents begin to hide this story from law enforcement agencies. A friend of the young bride comes to the journalist, who tells him that she did not commit suicide, but was killed, and asks for help in finding the killer.

Nilufar, a girl living downtown, is about to marry a man living uptown. But one day, soldiers come and plant barbed wire to separate the two towns. The life of the people, who have thus far enjoyed peace, now falls into severe chaos. Students must take classes with barbed wire in the middle of the classroom, and it becomes difficult to go to the hospital. However, the biggest problem is Nilufar's wedding. Kirill, the chief of the climate observatory, tries his best to help her wedding, but then a terrible tragedy occurs.

A poignant reminiscence of the love story between the poet Rustam and the young pilot Gulshod, who tragically died during the Great Patriotic War, heroically performing an aerial ramming maneuver.

The Chairman of the collective farm Sattar Safarov devoted many years to growing cotton. But a new time is coming, and with it another generation of cotton growers. Among them is Safarov's son, a young scientist Murad, who bred an original variety of cotton and wants to sow it in the fields of his native collective farm. Safarov does not dare to experiment. Murad quarrels with his father, but then realizes that he is right. After a while, Murad has the idea of searching for new varieties using a computer. With his friends, the teacher Yamschikov and cyberneticist Timur, Murad begins to make the first experiments…

Davlat is a Tajik merchandiser and a humble father of three children. A well respected businessman in the Pamir area, a mountainous region southeast of Tajikistan in the borders with China. His life has been transformed since the opening of the Tajik-Chinese border and the reconstruction of the old Silk Road: A road full of surprises and new experiences for Davlat and his family.

Globalisation, politics, and religion are ruthlessly stamping out the last remnants of traditional culture in Tajikistan. Today, many of these ancient traditions survive only in the mountains, where music and dancing still accompany people in joy and sorrow, just as they did a thousand years ago. After hearing a recording of a Tajik instrument called the maddoh many years ago, British musician Leo Abrahams was struck by its unusual beauty, and travelled to Tajikistan in an attempt to hear the music in person. In Rhythms of Lost Time, Leo travels the country and meets local residents, who introduce him to the hospitable and rich culture of Tajikistan. Together, they draw back the curtain on the challenges that traditional culture and the Tajik people have faced both in the past, and in the present day.

This social drama takes place in the fisherfolk village on a bank of the Tajik sea. The villagers start facing the ecological disaster recently. The village is in transition between traditionality and modernity. Barakat, the honest and respected old village man, doesn’t support the Boat Shopkeeper who smuggles in the harmful goods. He has only one confidant, Ramses, a small village boy with a made-up name. The filmmakers on a visit to shoot a film in the village cast Safar, Ramses’s father, as a lead. While Salima, Ramses’s mother, struggles to convince Safar and her son to relocate to a city. The finale of the story unveils the protagonists' fate amidst all ups and downs.

The hot air balloon that Frenchman Jean is in is blown away by the wind to a distant mountain village. In the village, shepherd Safar is the identical image of Jean. Safar dreams of becoming a hairdresser and hones his barber skills on the villagers and shares his innermost thoughts with his dog Rambo. When the Frenchman appears, there is a commotion in the village. Even Safar`s own mother takes Jean for her son. Even when he speaks in a language that she doesn`t understand. The villagers explain this case by the fact that the guy was struck by lightning.

Dushanbe, Tajikistan, former USSR. In this city where old houses are destroyed and their occupants are evicted all around, Rimma and her granddaughter Katia are waiting for the scheduled demolition of their old house in order to be rehoused in one of the buildings that are springing up everywhere in the city. The preparations for the move disrupt their daily life. French-Tajik filmmaker Gulya Mirzoeva follows their intimacy and their journey towards a new life.