Ben Hur 1907
The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.
The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.
A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.
A piano entices anyone who comes near.
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.
Four Arab men in white burnouses, two women in grey, and one female cook in striped burnous, are sitting in front of a cave in a forest path.
An extremely clumsy man tries to clean a woman's house with disastrous results.
The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting.
A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
Early slapstick short from Louis Feuillade involving runaways, except that, instead of it being a runaway horse (see Griffith's THE CURTAIN POLE for an example), it is a cartful of what appear to be hundred-pound pumpkins that get away, rushing hither and yon, down sewers, up chimneys, pursued by the drayer, a couple of other people and a very unwilling donkey.
A short comical ghost story from the era of affordable nickelodeon movie theaters.
A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
A medical documentary for students.
The interior of a trolley car. A menagerie of passengers notices a foul odour, and pinpoint the source of the stench at a cheese saleswoman. The gendarmerie removes her from the trolley and drags her to the precinct.
A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.
The artist studio is decorated with a rug, a chaise lounge, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shirt over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - The Three Graces, standing nude on a rectangular podium covered with a white bed-shirt. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise lounge. Only then do The Three Graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's.
A peddler of "the best glue" sets up his outdoor stall. A crowd gathers for a demonstration. As he gives his pitch, two observant cops decide drive off his customers and close him down, much to his fury. He seeks revenge as they sit on a park bench.
A sculptor creates several faces in a span of four minutes.