When the beautiful dancer Nikiya and the warrior Solor meet in secret, they swear eternal mutual fidelity. However, the High Brahmin, who is also in love with Nikiya, overhears them. He rushes to reveal their secret to the Rajah, who has decided that Solor will marry his beloved daughter Gamzatti. Recorded live, January 2013.
La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
On the day of his wedding, the young Scotsman James is awoken with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love… La Sylphide is not only the oldest of the classical ballets, but it also marks the start of dancing on pointe. The Bolshoi Theatre and Bolshoi Ballet in Cinema showcase Johan Kobborg’s production, which conveys the spirit of the ballet in this romantic tale. Anastasia Stashkevich appears as Sylph and Semyon Chudin as James.
On his wedding day, the young Scotsman James is awakened with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love. La Sylphide is one of the world’s oldest surviving ballets, and a treasure in Danish ballet master August Bournonville’s style. Staged for the Bolshoi by Bournonville expert Johan Kobborg, this production is the ultimate romantic masterpiece. Captured live from the Bolshoi Theater in Moscow.
On Christmas Eve, Marie’s Nutcracker doll magically transforms into a prince and their wonderful adventure begins. The holiday classic returns to the majestic Bolshoi stage for a live broadcast of a timeless story, The Nutcracker, taking audiences of all ages on a magical journey through a world of enchantment complete with dancing snowflakes and dolls that have come to life, accompanied by Tchaikovsky’s beloved score.
Live performance by the Bolshoi Theatre at the Palais Garnier, Opéra National de Paris, 2008.
The Bolshoi's acclaimed 80s production of Tchaikovsky's Holiday classic.
In this joyful version, a beautiful mechanical doll interferes with the happiness of two lovers. Original choreography by Marius Petita. New version by Sergei Vikharev. Music by Leo Delibes. Live performance 29 May 2011.
In this resplendent and magical classic, the Bolshoi dancers - including David Hallberg in his Bolshoi debut - take us on a dream-like journey through this classic fairy tale complete with jewel fairies, a magical kingdom, a youthful princess and a handsome prince in this purest style of classical ballet. The Bolshoi’s sumptuous staging with its luxurious sets and costumes gives life to Perrault’s fairy tale unlike any other. This performance of Sleeping Beauty was filmed as a sort of celebration of the grand reopening of the Bolshoi Theater's Main Stage (it had been closed for several years for a refurbishment).
Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.
A tale of the French Revolution, The Flames of Paris belongs to the pearls of the pure classics of classical dance. This world premiere recording of the production from choreographer Alexei Ratmansky (after Vasily Vaynonenon) and the Bolshoi Ballet, features the standout soloists Natalia Osipova and Ivan Vasiliev. Although set in revolutionary France, The Flames of Paris was intended to serve as an allegory for contemporary events in the Soviet Union. The ballet premiered in 1932 on the anniversary of the October Revolution, and one of its main characters was the population - revolutionary in mood and ready for action. Not surprisingly, The Flames of Paris was quickly included in the ranks of works which were always presented for major anniversaries.The choreographer Alexei Ratmansky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.
George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.
At the castle of Countess Sybil de Daurice, Raymonda is celebrating her birthday. She is also about to bid farewell to her fiancé, knight Jean de Brienne, who is going on a crusade. At night Raymonda falls asleep and dreams that she is taken to a magical garden where she is reunited with her fiancé. Suddenly, Jean de Brienne disappears and an Arab sheik takes his place and declares his passion for her. When she wakes, Raymonda discovers with horror that her nightmare has become reality… Live performance 24 Jun 2012
Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi. Captured live on April 10, 2016
During harvest festival at a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina, and the ballerina’s husband decide to swap roles for the evening… Alexei Ratmansky invokes the genius of Shostakovich’s score at the Bolshoi, creating a laugh-out-loud masterpiece with its bits of slapstick comedy, hilarious deceptions, false identities including Principal Dancer Ruslan Skvortsov dressed as a Sylph and its many colorful characters! The Bolshoi bursts with vivid life and bright spirits in Ratmansky’s brilliantly choreographed smash. Captured live on Apr 29, 2012.
This 1981 Bolshoi production performed in the concert hall of The Kremlin is by far the best available, despite the more ‘historical’ picture and mono sound. The production itself is a very classic period production, with utterly authentic costumes and aptly dramatic sets. There are even horses on stage. The depiction of the Don Cossacks’ Khan Konchak and his tribe is colourful and historically informed in one. Needless to say, the scene of the Polovtsian Dances is spectacularly presented with great choregraphy and terrific dancing, in the league of the Spartacus of Bolshoi, no less.
